A arte como forma de expressão social e religiosidade
Análise antropológica da obra Criança Morta
Bibliographic Data
| ID | 6219795 |
|---|---|
| Authors | Otávio Barduzzi Rodrigues Da Costa (0000-0002-0668-4015, corresponding author) |
| Year | 2018 |
| Volume | 7 |
| Issue | 1 |
| Pages | 90-114 |
| Publication date | 2018-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Sem Aspas (JOURNAL) |
| Journal identifiers | ISSN: 2238-359X • E-ISSN: 2358-4238 |
| Publisher | Revista Sem Aspas (PUBLISHER) |
| DOI | 10.29373/semaspas.unesp.v7.n1.jan/jun.2018.11497 |
| OpenAlex | W2900916887 |
| Language | PT |
| References cited | 6 |
It is precisely at the moment of urbanization in Brazil, when people leave the countryside to the city in a frantic rhythm towards the assembly lines of the factories, there arises modernism, that is, the expressionist revolutionary movement, which was considered the moment of the transformation of art. It is through art, with critical expressions and denunciations of social injustices, that Candido Portinari, in 1944, presented to the world the artwork Criança Morta, with the purpose of denouncing the miseries of miserableness, which provoked repercussion in the society at the time. When asked, Portinari replied that looking at the world, was only what he saw: misery and desolation.
Art · Humanities · Sociology · Environmental Sustainability and Education · Urban and sociocultural dynamics · Urban Development and Societal Issues
| Citation velocity | historical |
|---|---|
| Highly cited | No |