The rhythms of social movement memories

The mobilization of Silvio Meier’s activist remembrance across platforms

Bibliographic Data

ID6220173
AuthorsSamuel Merrill (0000-0002-9572-5922, Umeå University, corresponding author), Stefan Lindgren (0000-0001-6289-9427, Umeå University)
Year2020
Volume19
Issue5-6
Pages657-674
Publication date2020-11-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueSocial movement studies (JOURNAL)
Journal identifiersISSN: 1474-2829 • E-ISSN: 1474-2837
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/14742837.2018.1534680
OpenAlexW2897270572
LanguageEN
Citations received34
References cited48

This article presents a temporal analysis of the activist remembrance of Silvio Meier, a prominent member of Berlin’s radical left scene, who was stabbed to death in 1992. It asks: when has Meier’s activist remembrance occurred and been remediated, with what rhythms, and how has it been influenced by different platforms? To answer these questions, the article draws on the literature dedicated to the interface between social movements and collective and connective memory, and applies Lefebvre’s rhythmanalysis approach. Within this approach a diverse set of material is used to visualise the timing of the digital and non-digital remediation and mobilisation of Meier’s remembrance across different platforms of memory including commemorative events, newspapers, websites and social media. Thereafter the various temporalities of use associated with these platforms and how they can influence the mobilisation of remembrance by social movements is discussed using Lefebvre’s concepts of polyrhythmia, arrhythmia, isorhythmia, eurhythmia and with respect to, firstly, a fifteen-year period between 2002 and 2017 and secondly, a fifteen-day period between 15 November and 30 November 2012 around the twentieth anniversary of Meier’s death. The article concludes by introducing another Lefebvrian concept – dressage – in order to consider which rhythms of activist remembrance might most benefit social movements and their goals. Overall, by demonstrating the importance of attending to the when and not only the what, who, where and how of social movement memories and by highlighting the need to consider the temporal influence of the different digital and non-digital platforms that activists use, as well as, by indicating the broader potential of applying rhythmanalysis approaches to instances of activism, the article has broader relevance for the further study of social movements, their use of different media and their mobilization of memory

Aesthetics · Art · Collective memory · Epistemology · Media studies · Movement (music · Newspaper · Period (music · Political science · Politics · Rhythm · Social media · Social movement · Sociology · Temporalities · Temporality · Visual arts · Communism, Protests, Social Movements · History · Law · Memory, Trauma, and Commemoration · Social Media and Politics

Tools

Open DOISci-HubOpen Access