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The World Union of Documentary and the Early Cold War

Bibliographic Data

ID6225839
AuthorsAlice Lovejoy (corresponding author)
Year2022
Volume49
Issue1
Pages165-193
Publication date2022-02-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
Venueboundary 2 (JOURNAL)
Journal identifiersISSN: 0190-3659 • E-ISSN: 1527-2141
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/01903659-9615445
OpenAlexW4220701723
LanguageEN
Citations received1
References cited21

This essay traces the evolution of the idea of “international documentary” during the early Cold War through the history of the World Union of Documentary (1947–50), an association spearheaded by documentarian Joris Ivens that aimed to articulate a common purpose for postwar documentary and to facilitate the international exchange of films, professionals, and knowledge in the field. I investigate the links between the association and contemporaneous international initiatives, chiefly film festivals and the peace movement, focusing throughout on Eastern Europe, where the World Union was headquartered for most of its existence. Indeed, the association's history is inextricable from that of Ivens's 1949 film about the East European “new democracies,” The First Years (Pierwsze lata). Both projects, I argue, were impeded not only by the polarized political atmosphere of the period but also by complex political, administrative, and generational dynamics within the documentary community and the international Left

Aesthetics · Art · Cold war · Documentary evidence · Documentary film · Economic history · Field (mathematics · International relations · Media studies · Period (music · Political economy · Political science · Politics · Sociology · Soviet union · World War II · Cinema and Media Studies · European history and politics · History · Italian Fascism and Post-war Society · Law

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Unique citing works1
Citations per year1
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1
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