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The Planetary

Bibliographic Data

ID6225848
AuthorsChristine L Marran (0000-0001-6861-7726, corresponding author)
Year2019
Volume46
Issue3
Pages181-198
Publication date2019-08-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
Venueboundary 2 (JOURNAL)
Journal identifiersISSN: 0190-3659 • E-ISSN: 1527-2141
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/01903659-7614207
OpenAlexW4243828854
LanguageEN
References cited11

This essay analyzes Masao Miyoshi’s “turn to the planet” in his later work. In articulating this turn, Miyoshi critiques the logics of difference that has dominated comparative literary and area studies and offers the concept of “planetarianism” as a way of articulating the need for humanistic disciplines to address the global commons created by runaway consumption and environmental deterioration. In drawing on the visual images of photographer-artist Shimpei Takeda and the ecocritical work of Timothy Clark, this essay suggests how Miyoshi’s appeal for a new analytical approach to comparative and area studies might be implemented—one that would account for the totalities introduced by consumption, neoliberalism, and climate change. Suggested is a multifaceted approach that eschews parochialism in comparative studies, addresses geopolitical histories, and accounts for the material world

Aesthetics · Appeal · Commons · Consumption (sociology · Environmental ethics · Epistemology · Geopolitics · Global commons · Neoliberalism (international relations · Parochialism · Political science · Social science · Sociology · Work (physics · Engineering · Law · Media, Communication, and Education · Philosophy · Ecology

  • Trespasses

    Masao Miyoshi, Eric Cazdyn et al.•Trespasses•2010

  • Death of the PostHuman

    Open Access•Claire Colebrook•Death of the PostHuman•2013

  • History and Biology in the Anthropocene

    Julia Adeney Thomas•The American Historical Review•2014

  • Planetary Boundaries

    Open Access•Johan Rockström, Will Steffen et al.•Conservation Ecology•2009

  • In the Wake

    Lilian Froger•Critique d’art•2016

  • The Climate of History

    Dipesh Chakrabarty•Critical Inquiry•2009

Citation velocityhistorical
Highly citedNo

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