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Habermas in Pleasantville

Cinema as Political Critique

Bibliographic Data

ID6250832
AuthorsRobert Porter (0000-0002-8732-7705, University of Ulster, corresponding author), Robert H Porter (0009-0005-0389-1296)
Year2007
Volume6
Issue4
Pages405-418
Publication date2007-11-01
Open AccessYes
TypeARTICLE
VenueContemporary Political Theory (JOURNAL)
Journal identifiersISSN: 1470-8914 • E-ISSN: 1476-9336
PublisherSpringer Science and Business Media LLC (PUBLISHER)
DOI10.1057/palgrave.cpt.9300300
OpenAlexW2076155550
LanguageEN
Citations received3
References cited5

Aesthetics · Art · Art history · Critical theory · Epistemology · Film theory · Hollywood · Linguistics · Literature · Movie theater · Order (exchange · Political philosophy · Political science · Politics · Reading (process · Social science · Sociology · Critical Theory and Philosophy · History · Law · Philosophy

  • Motions in Pictures

    Open Access•Jane Thomas, Sean Tunney•Humanities•2024

  • From clichés to slogans

    Robert Porter, Robert H Porter•Social Semiotics•2010

  • Sex, gender and heteronormativity

    Open Access•Terrell Carver•Contemporary Political Theory•2009

  • Moral consciousness and communicative action

    Jürgen Habermas•Moral consciousness and…•1990

  • Habermas and the pragmatics of communication

    Robert Porter, Robert H Porter et al.•Social Semiotics•2003

  • Politics and Post-structuralism

    Open Access•Susan Stephenson•Contemporary Political Theory•2003

Citations per year0.18
Citation span2009 - 2024 (16)
Highly citedNo

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