Can an indigenous media model enrol wider non-Indigenous audiences in alternative perspectives to the ‘mainstream
Bibliographic Data
| ID | 6256083 |
|---|---|
| Authors | Susan Nemec (0000-0001-6499-361X, University of Auckland, corresponding author) |
| Year | 2021 |
| Volume | 21 |
| Issue | 6 |
| Pages | 997-1025 |
| Publication date | 2021-12-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Ethnicities (JOURNAL) |
| Journal identifiers | ISSN: 1468-7968 • E-ISSN: 1741-2706 |
| Publisher | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/14687968211029807 |
| OpenAlex | W3184967424 |
| Language | EN |
| References cited | 22 |
This paper offers a theoretical model to analyse an example of Indigenous media through an Indigenous lens and discusses its potential to increase audiences in other alternative media. Adapted from New Zealand Māori filmmaker and philosopher Barry Barclay’s idea of the ‘fourth cinema’ and a metaphorical ‘communications marae’, 1 the model has been applied to New Zealand’s Indigenous broadcaster, Māori Television. This article discusses the model and suggests that the ‘communications marae’ has the potential to be used by non-mainstream media providers to, not only address their own audiences, but also to enrol wider communities in alternative perspectives to the ‘mainstream’. Research has demonstrated how Indigenous broadcasting can serve its own audience while also attracting wider, non-Indigenous audiences. However, this paper’s focus is a case study of migrants engaging with Māori Television because it is migrants who frequently operate outside of established power relationships and represent an often unrecognised niche audience segment in mainstream media. The model demonstrates the potential pedagogical role of the broadcaster and how its content can make a positive difference to migrants’ lives and attitudes towards Indigenous people through its ability to counter the, often negative, representations of Indigeneity in mainstream media. Outside of Māori Television, migrants have limited access to an Indigenous perspective on the nation’s issues and concerns, which calls into question both democracy and migrants’ ability to engage in civic society. Migrants need information to negotiate and weigh up important tensions and polarities, to understand multiple perspectives inherent to democratic living and to evaluate issues of social justice and to solve problems based on the principles of equity. Indigenous media, as in all alternative media, has a role to play in questioning or challenging accepted thinking and to present counter hegemonic discourses to all citizens in participatory democratic societies
Democracy · Indigenous · Mainstream · Media studies · Negotiation · Political science · Politics · Power (physics · Social science · Sociology · Gender Studies · Indigenous Health, Education, and Rights · Island Studies and Pacific Affairs · Law
Modernity at large
Māori Television's Indigenous insistence
Cultural Diversity and Global Media
Settler Colonialism
Sites of exuberance
Postcolonial Māori Television? The dirty politics of indigenous cultural production
Communication and Capitalism
The Association of Crime Stories and Maori in Aotearoa New Zealand Print Media
Māaori Television, its Pākehā audience and issues of decolonialization
Are the indigenous media community media? Experiences of native peoples’ media practices in Argentina
Covid-19, indigenous peoples and tourism
Relating Indigenous and Settler Identities
Indigenous Media
Between the State and Indigenous Autonomy
Reading News about Māori
Disjuncture and Difference in the Global Cultural Economy
| Citation velocity | historical |
|---|---|
| Highly cited | No |