Curry Tales
The production of ‘race’ and ethnicity in the cultural industries
Bibliographic Data
| ID | 6256331 |
|---|---|
| Authors | A Saha (0000-0001-7704-2493, University of Leeds, corresponding author) |
| Year | 2013 |
| Volume | 13 |
| Issue | 6 |
| Pages | 818-837 |
| Publication date | 2013-12-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Ethnicities (JOURNAL) |
| Journal identifiers | ISSN: 1468-7968 • E-ISSN: 1741-2706 |
| Publisher | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/1468796813487829 |
| OpenAlex | W2128421274 |
| Language | EN |
| Citations received | 16 |
| References cited | 30 |
Within popular culture in the West, stereotypical representations of ‘race’ still persist. This is particularly troubling when we find that it is racialized minorities themselves behind such representations. The aim of this article is to explore how the conditions of the cultural industries steer the work of minority cultural producers in directions that can undermine the radical potential of the counter-narratives of difference. The article begins with a discussion on the politics of representation where I argue for integrating a sociological approach into cultural studies of diasporic popular culture that pays closer attention to the process of symbol creation. The remainder of the article uses a study of a British South Asian theatre company to show how the increasingly commercialized cultures of production that characterize the sector had a troubling impact on the way a play exploring postcolonial feminisms was marketed and presented to the public
Aesthetics · Economics · Ethnic group · Media studies · Narrative · Political science · Politics · Production (economics · Race (biology · Representation (politics · Sociology · Symbol (formal · Anthropology · Cultural Studies · Diaspora, migration, transnational identity · Gender Studies · Law · Social and Cultural Dynamics · Theatre and Performance Studies
Diversity, media and racial capitalism
Encoding, decoding race. The politics of production and reception in cultural industries
Glocal riddim
Performing pregnancy
Genres and inequality in the creative industries
Performing the Norm
Multicologies? The development of multi-racial creative ecologies in East London
Unequal entanglements
Making genre
Ethnicity and social relations in Indonesian television production houses
Resistance and Resignation
Disruptive diversity
Mainstreaming French rap music. Commodification and artistic legitimation of othered cultural goods
Portraying Poverty
Bearing Psychic Weight and Accountability
Tormented visibility
Music Genres and Corporate Cultures
After Empire
Economies of Signs and Space
Reflections on Precarious Work in the Cultural Sector
After the Cosmopolitan?
Globalization as Hybridization
Globalization as Hybridization
Thatcher's Theatre
There Ain't No Black in the Union Jack
The Active Interview
Stuart Hall
Hybridised Identity as Counter-Discursive Strategy
Locating MIA
Commercial cultures
Beards, scarves, halal meat, terrorists, forced marriage
After race
Nationalism remixed? The politics of cultural flows between the South Asian diaspora and ‘homeland
Fashioning ethnicities
From the margins to mainstream
Governance der Kreativwirtschaft
The New Cultural Politics of Difference
Money Has No Smell
The Social and the Aesthetic
Introduction
| Unique citing works | 16 |
|---|---|
| Citations per year | 1,6 |
| Citation span | 2016 - 2026 (11) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 16 |