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Curry Tales

The production of ‘race’ and ethnicity in the cultural industries

Bibliographic Data

ID6256331
AuthorsA Saha (0000-0001-7704-2493, University of Leeds, corresponding author)
Year2013
Volume13
Issue6
Pages818-837
Publication date2013-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueEthnicities (JOURNAL)
Journal identifiersISSN: 1468-7968 • E-ISSN: 1741-2706
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/1468796813487829
OpenAlexW2128421274
LanguageEN
Citations received16
References cited30

Within popular culture in the West, stereotypical representations of ‘race’ still persist. This is particularly troubling when we find that it is racialized minorities themselves behind such representations. The aim of this article is to explore how the conditions of the cultural industries steer the work of minority cultural producers in directions that can undermine the radical potential of the counter-narratives of difference. The article begins with a discussion on the politics of representation where I argue for integrating a sociological approach into cultural studies of diasporic popular culture that pays closer attention to the process of symbol creation. The remainder of the article uses a study of a British South Asian theatre company to show how the increasingly commercialized cultures of production that characterize the sector had a troubling impact on the way a play exploring postcolonial feminisms was marketed and presented to the public

Aesthetics · Economics · Ethnic group · Media studies · Narrative · Political science · Politics · Production (economics · Race (biology · Representation (politics · Sociology · Symbol (formal · Anthropology · Cultural Studies · Diaspora, migration, transnational identity · Gender Studies · Law · Social and Cultural Dynamics · Theatre and Performance Studies

  • Diversity, media and racial capitalism

    Open Access•A Saha, Sandra Van Lente•Ethnic and Racial Studies•2022

  • Encoding, decoding race. The politics of production and reception in cultural industries

    Open Access•Maxime Cervulle, A Saha et al.•French Cultural Studies•2026

  • Glocal riddim

    Open Access•Murali Balaji, Thomas Sigler•Visual Communication•2017

  • Performing pregnancy

    Open Access•Sharon Lockyer, Sara De Benedictis•International Journal of Cultural…•2023

  • Genres and inequality in the creative industries

    Open Access•Ana Alacovska, Dai O’brien•European Journal of Cultural…•2021

  • Performing the Norm

    Open Access•Moss E Norman, John Bryans•The Journal of Men s Studies•2020

  • Multicologies? The development of multi-racial creative ecologies in East London

    Orson Nava•International Journal of Cultural…•2022

  • Unequal entanglements

    Open Access•K Kolbe•Cultural Trends•2021

  • Making genre

    Open Access•Sofia Lerche Vieira, Sofia Vieira et al.•Cultural Trends•2025

  • Ethnicity and social relations in Indonesian television production houses

    Open Access•Maria Myutel•Journal of Southeast Asian Studies•2017

  • Resistance and Resignation

    Open Access•Friedman, Sam Friedman et al.•Cultural Sociology•2017

  • Disruptive diversity

    Open Access•Sabina Tica•British Journal of Sociology•2025

  • Mainstreaming French rap music. Commodification and artistic legitimation of othered cultural goods

    Open Access•Karim Hammou•Poetics•2016

  • Portraying Poverty

    Open Access•Sara De Benedicti, Sara De Benedictis et al.•Cultural Sociology•2017

  • Bearing Psychic Weight and Accountability

    Open Access•Alanna Stuart, K De Laat•Work Employment and Society•2025

  • Tormented visibility

    Open Access•Peter Morey•Journal of Postcolonial Writing•2023

  • Music Genres and Corporate Cultures

    K Negus•Music Genres and Corporate Cultures•2013

  • After Empire

    Paul Gilroy•After Empire•2004

  • Economies of Signs and Space

    Scott Lash, John Urry•Economies of Signs and Space•2002

  • Reflections on Precarious Work in the Cultural Sector

    Open Access•A Mcrobbie•Governance der Kreativwirtschaft•2009

  • After the Cosmopolitan?

    M Keith•After the Cosmopolitan?•2005

  • Globalization as Hybridization

    Jan Nederveen Pieterse•Sociology of Globalization•2018

  • Globalization as Hybridization

    Jan Nederveen Pieterse•Global Modernities•1995

  • Thatcher's Theatre

    D Keith Peacock•Thatcher's Theatre•1999

  • There Ain't No Black in the Union Jack

    Paul Gilroy•There Ain't No Black in the Union…•2013

  • The Active Interview

    James A Holstein, James Holstein et al.•The active interview•1995

  • Stuart Hall

    Stuart Hall, David Morley andDavid Morley et al.•Stuart Hall•2006

  • Hybridised Identity as Counter-Discursive Strategy

    Dimple Godiwala•South Asian Popular Culture•2003

  • Locating MIA

    Open Access•A Saha•European Journal of Cultural…•2012

  • Commercial cultures

    Open Access•P Jackson•Progress in Human Geography•2002

  • Beards, scarves, halal meat, terrorists, forced marriage

    Open Access•A Saha•Media Culture & Society•2012

  • After race

    A Nayak•Ethnic and Racial Studies•2006

  • Nationalism remixed? The politics of cultural flows between the South Asian diaspora and ‘homeland

    Dhiraj Murthy•Ethnic and Racial Studies•2010

  • Fashioning ethnicities

    Open Access•Claire Dwyer, Philip Crang•Ethnicities•2002

  • From the margins to mainstream

    Open Access•Rupa Huq•Young•2003

  • Governance der Kreativwirtschaft

    Open Access•Anna Stüler, Katja Manz et al.•Governance der Kreativwirtschaft•2009

  • The New Cultural Politics of Difference

    Cornel West•October•1990

  • Money Has No Smell

    P Stoller•Money Has No Smell•2002

  • The Social and the Aesthetic

    Open Access•G Born•Cultural Sociology•2010

  • Introduction

    C Alexander•Ethnic and Racial Studies•2006

Unique citing works16
Citations per year1,6
Citation span2016 - 2026 (11)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 16

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