The patch as method
The arts’ contribution towards understandings of conflict
Bibliographic Data
| ID | 6299454 |
|---|---|
| Authors | Daniele Rugo (0000-0001-8606-9524, Brunel University of London, corresponding author) |
| Year | 2024 |
| Volume | 45 |
| Issue | 1 |
| Pages | 81-93 |
| Publication date | 2024-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | International Political Science Review (JOURNAL) |
| Journal identifiers | ISSN: 0192-5121 • E-ISSN: 1460-373X |
| Publisher | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/01925121231177442 |
| PMID | 38074311 |
| OpenAlex | W4379142414 |
| Language | EN |
| Citations received | 2 |
| References cited | 35 |
This article asks: how do art practice and research give form to changing dynamics of conflict? Its argument is two-fold: art’s contribution can be developed from empirical considerations (what art finds out), and from methodological ones (how art finds something out). Bringing in art practice and the research methods it informs into political science helps understand conflict and its changes: by engaging simultaneously with the interaction between the collective and the personal, art practice and research elucidates those complex and layered narratives used by various actors in conflict that often resist approaches rooted in social and political sciences. By paying attention to everyday interactions and emphasizing dynamism, art provides a different way to chart changes in armed conflict. Art documents discourses that are difficult to communicate otherwise and allows us to detect and engage with the grey areas, transformations, processes and ambivalences of conflicts that escape neat categorizations
Aesthetics · Argument (complex analysis · Art methodology · Conflict resolution · Contemporary art · Dynamics (music · Dynamism · Epistemology · Narrative · Political science · Politics · Social science · Sociology · The arts · Cambodian History and Society · Communism, Protests, Social Movements · History · Law · Peacebuilding and International Security
Peace Photography
New and old wars
Art Beyond Representation
Aesthetics and World Politics
The Aesthetic Turn in Political Thought
Peacebuilding and the Arts
Affective Communities in World Politics
Visualising violence
Visions of Peace in International Relations
Aesthetics and International Relations
The art of not describing
The Aesthetic Turn in International Political Theory
Compulsory Viewing
Introduction
Art, Abstraction, and International Relations
Theodor Adorno's Aesthetic Understanding
Nationalism, the visual arts, and the myth of war enthusiasm in 1914
On the Postcolony
Changing responses to a frozen conflict
New insights into the psychology of individuals and large groups in a world of changing conflicts
The Politics of Art
Art Invoked
Conflict shapes in flux
Multidimensional poverty and conflict events in Nigeria over time
Change in armed conflict
Landscape Memories
Introduction
| Unique citing works | 2 |
|---|---|
| Citations per year | 1 |
| Citation span | 2024 - 2024 (1) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 2 |