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Walter Benjamin’s Black Flashlight

Promoting Misreading over Persuasion to Decenter Textual and Political Authority

Bibliographic Data

ID6350333
AuthorsJames Martel (0000-0002-9061-2355, San Francisco State University, corresponding author), James R Martel (San Francisco State University)
Year2015
Volume43
Issue5
Pages575-599
Publication date2015-10-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenuePolitical Theory (JOURNAL)
Journal identifiersISSN: 0090-5917 • E-ISSN: 1552-7476
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/0090591714556356
OpenAlexW2138319439
LanguageEN

Many theorists promote a decentralized politics but very few of them practice this decentralization textually. In this essay, I engage with three techniques Benjamin employs to decenter his authority in the text: allegory, montage and the production of text as “pure means.” Taken together, these practices amount to what I am calling Benjamin’s use of a “black flashlight.” Rather than illuminate his text with his own knowledge, seeking to win the reader over by persuasion and textual authority, Benjamin seeks to obscure and complicate any meaning. He attempts to have his text fail to deliver a final verdict to the reader. The obscure, pitch black light Benjamin sheds on his own and other texts leaves us as readers to our own devices, deprived as we are of the usual guidance of the author. In this way, Benjamin not only encourages but requires the reader’s own intervention, a model for the anarchist politics he also describes in the text

Aesthetics · Allegory · Art · Epistemology · Linguistics · Literature · Meaning (existential · Persuasion · Political science · Politics · Sociology · Verdict · Art, Politics, and Modernism · Law · Philosophy · Philosophy, Ethics, and Existentialism · Walter Benjamin Studies Compilation

Citation velocityhistorical
Highly citedNo

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