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The Perversions of Bored Liberals

Response to Herzog

Bibliographic Data

ID6350740
AuthorsLori J Marso (0000-0001-9990-4613, Union College, corresponding author), Lori Marso (Union College, Schenectady, NY)
Year2008
Volume36
Issue1
Pages123-128
Publication date2008-02-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenuePolitical Theory (JOURNAL)
Journal identifiersISSN: 0090-5917 • E-ISSN: 1552-7476
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/0090591707310101
OpenAlexW2147338642
LanguageEN
Citations received1
References cited1

Counting himself as a boring liberal who would usually dismiss the likes of thinkers such as Emma Goldman as the radical fringe, Don Herzog purports to engage with Goldman's work in order to interrogate the political centrality of reasonableness among liberals and deliberative democrats. Casting Goldman as a lovesick radical, Herzog invites us to read her activism and politics as an affective stance resulting in an accurate critique of the Soviet state. This move countenances Herzog's perverted depiction of Goldman as a swooning girl in love with anarchism and authorizes his lack of engagement with her searing political critique of capitalism and liberal democracy. Hence, Herzog's strategy—to read Goldman's politics as an emotional stance—serves to undermine precisely the sort of political engagement he claims to celebrate

Aesthetics · Art · Capitalism · Democracy · Depiction · Literature · Order (exchange · Political science · Politics · Psychoanalysis · Sociology · State (computer science · Anarchism and Radical Politics · Critical Theory and Philosophy · Law · Philosophy · Psychoanalysis, Philosophy, and Politics · Psychology

  • Gender and Genre in Emma Goldman

    Kathy E Ferguson•Signs: Journal of Women in…•2011

  • Romantic Anarchism and Pedestrian Liberalism

    Open Access•Don Herzog•Political Theory•2007

Unique citing works1
Citations per year0,07
Citation span2011 - 2011 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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