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The politics of a ‘Poncy Pillowcase

Migration and borders in Coronation Street

Bibliographic Data

ID6353259
AuthorsAlexandria J Innes, Alexandria Innes (0000-0002-0100-8990, corresponding author), Robert Topinka (0000-0001-9795-3999), Robert J Topinka
Year2017
Volume37
Issue3
Pages273-287
Publication date2017-08-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenuePolitics (JOURNAL)
Journal identifiersISSN: 0032-3268 • E-ISSN: 1467-9256
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/0263395716675371
OpenAlexW2541362590
LanguageEN
Citations received3
References cited32

This article examines the ways in which popular culture stages and supplies resources for agency in everyday life, with particular attention to migration and borders. Drawing upon cultural studies, and specific insights originating from the Birmingham Centre for Contemporary Cultural Studies, we explore how intersectional identities such as race, ethnicity, class, and gender are experienced in relation to the globalisation of culture and identity in a 2007 Coronation Street storyline. The soap opera genre offers particular insights into how agency emerges in everyday life as migrants and locals navigate the forces of globalisation. We argue that a focus on popular culture can mitigate the problem of isolating migrant experiences from local experiences in migrant-receiving areas

Aesthetics · Agency (philosophy · Art · Coronation · Ethnic group · Everyday life · Globalization · Identity (music · Media studies · Political science · Politics · Social science · Sociology · Anthropology · Asian Culture and Media Studies · Diaspora, migration, transnational identity · Gender Studies · Law · Migration, Ethnicity, and Economy

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Unique citing works3
Citations per year0,33
Citation span2017 - 2020 (4)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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