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Nietzsche's Napoleon

The Higher Man as Political Actor

Bibliographic Data

ID6397208
AuthorsPaul F Glenn (corresponding author)
Year2001
Volume63
Issue1
Pages129-158
Publication date2001-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThe Review of Politics (JOURNAL)
Journal identifiersISSN: 0034-6705 • E-ISSN: 1748-6858
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0034670500030540
OpenAlexW2068506323
LanguageEN
Citations received6
References cited22

Nietzsche's concept of the higher man is often seen as vague. The article adds concreteness to the concept by studying an example of a higher man, Napoleon. Napoleon embodied power and spiritual health, and was therefore an admirable person. By looking at Nietzsche's description of Napoleon as an artist, we also gain insight into the higher man as a political actor: he uses the public arena as the medium on which he practices his art. In doing so, he presents himself as a exemplar of humanity, inspiring others to seek their own path to excellence. By studying this, we gain important insight into Nietzsche's political teaching. But Nietzsche's account of Napoleon is not one-sided: he also describes Napoleon's corruption. The fall of a higher man is both a warning of the dangers of the political realm, and a reminder that sickness and health are closely connected. Even the mightiest individual is fragile

Aesthetics · Concreteness · Embodied cognition · Environmental ethics · Epistemology · Excellence · Humanity · Political science · Politics · Power (physics · Realm · Sociology · Will to power · Critical Theory and Philosophy · Law · Nietzsche, Schopenhauer, and Hegel · Philosophy · Philosophy, Ethics, and Existentialism

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Unique citing works6
Citations per year0,27
Citation span2004 - 2019 (16)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 6

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