Playing for free to get paid
Activism work as (ineffective) entrepreneurial strategy in Mendoza’s music scene
Bibliographic Data
| ID | 6423167 |
|---|---|
| Authors | Sarah Lahasky (0000-0002-3356-6284, Carleton College, corresponding author) |
| Year | 2025 |
| Volume | 34 |
| Issue | 3 |
| Pages | 1-20 |
| Publication date | 2025-12-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | British Journal of Ethnomusicology (JOURNAL) |
| Journal identifiers | ISSN: 0968-1221 • E-ISSN: 1741-1920 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/17411912.2025.2586346 |
| OpenAlex | W4416865702 |
| Language | EN |
| References cited | 24 |
The Social Meaning of Money
Musicians as entrepreneurs or entrepreneurs as musicians?
The Swedish Model
Artist, Craftsman, Teacher
Brief History of Neoliberalism
The Political Force of Musical Actants
Reluctant entrepreneurs
Neutralizing Temporary Inequities in Moral Status
Calle 13 and Ana Tijoux's Joyous Rebellion
The Mushroom at the End of the World
Neoliberal Multiculturalism
More Than a 'Little Act of Kindness'? Towards a Typology of Volunteering as Unpaid Work
Artistic Labor Markets and Careers
Governing economic life
Can society be commodities all the way down? Post-Polanyian reflections on capitalist crisis
| Citation velocity | historical |
|---|---|
| Highly cited | No |