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Tennis and accelerated culture

Post-athlete as a media performer

Bibliographic Data

ID6434367
AuthorsNico Psaltidis (0000-0002-4404-9442, Symbiosis Centre for Media and Communication (SCMC), corresponding author)
Year2025
Volume25
Issue2
Pages171-189
Publication date2025-02-25
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of Consumer Culture (JOURNAL)
Journal identifiersISSN: 1469-5405 • E-ISSN: 1741-2900
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/14695405251321431
OpenAlexW4407921554
LanguageEN
Citations received2
References cited50

The article presents research around the mediatisation of sports through the lens of production and consumption of tennis media. Contemporary accelerated culture pushes for the proliferation of digital media technologies and reshapes cultural practices for audiences, institutions, and athletes alike. The rise of prosumer media and user-generated content (UGC), exemplified by platforms like YouTube, has challenged traditional media narratives. It has reoriented discourses around authenticity, and framed tennis as a sped-up, gamified, accessible entertainment by-product in the digital age. While elite athletes gain global media stardom, aspiring professionals and semi-professional athletes balance their careers by attempting to become notable content creators and producers in this new media ecosystem. The concept of the ‘post-athlete’ connects to reflexive modes of existence, where athletes navigate the political economy of sports media through the interplay of athletic labour, digital media labour, and lifestyle. My study focuses on this emerging athlete prototype, for whom media labour influences career success as much as on-field sporting performance does

Advertising · Art · Business · Media studies · Performing arts · Sociology · Visual arts · Adventure Sports and Sensation Seeking · Psychology · Sport and Mega-Event Impacts · Sports, Gender, and Society

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Unique citing works2
Citations per year2
Citation span2025 - 2026 (2)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 2

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