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Locating Subaltern Resistance and Resilience in Laila Lalami’s The Moor’s Account

Bibliographic Data

ID6436717
AuthorsWael J Salam (0000-0003-3786-8607, corresponding author)
Year2025
Volume21
Issue1
Pages89-105
Publication date2025-01-10
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of Middle East Women s Studies (JOURNAL)
Journal identifiersISSN: 1552-5864 • E-ISSN: 1558-9579
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/15525864-11575483
OpenAlexW4406242486
LanguageEN
References cited19

This article explores the thematic and aesthetic depictions of the colonized in Laila Lalami’s The Moor’s Account (2014) by extending the postcolonial theory of the subaltern. This Moroccan American novel reconstructs the colonial history of the sixteenth-century Spanish conquest narrated in Álvar Núñez Cabeza de Vaca’s 1542 Chronicle of the Narváez Expedition by giving voice to the slave Mustafa/Estebanico and other subaltern peoples, including female slaves and Native Americans. The protagonist Mustafa asserts his Muslim, Moroccan identity, which has been erased by Cabeza de Vaca’s chronicle. He also makes the reader attend to the colonized silenced by the colonizer’s hegemonic discourse. The Moor’s Account therefore opens new possibilities for rewriting the history of subaltern groups, their resilience, and their local forms of resistance to colonial powers, thus extending our understanding of subalternity

Aesthetics · Ancient history · Archaeology · Art · Colonialism · CONQUEST · Hegemony · Identity (music · Literature · Political science · Postcolonialism (international relations · Resistance (ecology · Sociology · Subaltern · Anthropology · Caribbean history, culture, and politics · Cuban History and Society · Gender Studies · Hispanic-African Historical Relations · History · Law

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Citation velocityhistorical
Highly citedNo

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