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The Politics of Salon Photography

The Ideological Function of East Asian Photography in the Cold War Era

Bibliographic Data

ID6439409
AuthorsJeehey Kim (University of Arizona, corresponding author)
Year2025
Volume18
Issue2
Pages165-183
Publication date2025-02-06
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of War and Culture Studies (JOURNAL)
Journal identifiersISSN: 1752-6272 • E-ISSN: 1752-6280
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/17526272.2025.2459494
OpenAlexW4407223328
LanguageEN
References cited9

Art · Art history · Cold war · Ideology · Photography · Political science · Politics · Salon · Visual arts · History · Japanese History and Culture · Law · Photography and Visual Culture · Vietnamese History and Culture Studies

  • Imagining Singapore

    Charmaine Toh•Imagining Singapore•2023

  • Woman and Chinese Modernity

    Gang Yue, Rey Chow•Comparative Literature•1995

  • After the MassacreCommemoration and Consolation in Ha My and My Lai

    Heonik Kwon•After the Massacre•2006

  • The Allegorical Landscape

    Mia Yinxing Liu•Archives of Asian Art•2015

  • Refracted Visions

    Open Access•Karen Strassler, Nicholas Thomas•Refracted visions•2010

  • Forgotten Refugees and Erased “Multicultural” Subjects

    Nora Hui‐jung Kim•positions asia critique•2023

  • Agitating Images

    Craig Campbell•Agitating Images•2014

Citation velocityhistorical
Highly citedNo

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