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Fairy Tales Forever After

Expanding the Canon, Creative Disruption, and Unconscious Upcycling

Bibliographic Data

ID6441896
AuthorsMaria Tatar (corresponding author)
Year2025
Volume39
Issue1
Pages11-24
Publication date2025-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueMarvels & Tales (JOURNAL)
Journal identifiersISSN: 1521-4281 • E-ISSN: 1536-1802
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/mat.2025.a960561
OpenAlexW4410566648
LanguageEN

This essay juxtaposes the self-conscious iconoclasm of writers like Angela Carter and Margaret Atwood with the unconscious upcycling of fairy tales in films like Alex Garland’s Ex Machina and Jordan Peele’s Get Out . In the vast recycling project that provides new ways of making meaning out of the old, there is no sense in turning proprietary and insisting on acknowledging source material drawn from collective cultural capital. Still, it is important to acknowledge that a storytelling craft once deployed by women for the sake of passing on wisdom in the service of survival continues to flourish and to find its way into a culture that also continues to dismiss fairy tales as entertainment for the young

Art · Canon · Literature · Psychoanalysis · Unconscious mind · Art Therapy and Mental Health · Art, Politics, and Modernism · Philosophy · Psychology · Public Spaces through Art

Citation velocityhistorical
Highly citedNo

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