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Renting royalties

How the assetization of music copyrights contributes to inequality for musicians

Bibliographic Data

ID6441987
AuthorsD Bondy Valdovinos Kaye (0000-0002-9684-2186, University of Leeds, corresponding author)
Year2025
Volume47
Issue7
Pages1394-1412
Publication date2025-05-21
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueMedia Culture & Society (JOURNAL)
Journal identifiersISSN: 0163-4437 • E-ISSN: 1460-3675
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/01634437251341715
PMID40978152
OpenAlexW4410568366
LanguageEN
Citations received2
References cited19

This study presents a critique of assetization in the music industry through a case study of royalty shares and their effect on musicians. A royalty share is a form of securitized music copyright that is packaged and sold as an investment asset to buyers on royalty sharing marketplaces (RSMs). Royalty shares represent an evolutionary step in financialization of music markets that contributes to deepening inequalities by transforming copyright ownership, introducing new kinds of socio-legal obligations between musicians and financial rentiers, and shifting the way recorded music is valued. Drawing on field ethnography at music industry trade events, qualitative interviews with RSM executives, and document analysis of corporate communication and music business trade press, this article answers the question: to what extent does the rise of assetized music copyrights traded on RSMs contribute to inequality for musicians. This article argues that the assetization of musical copyrights introduces new legal frameworks to exploit musicians while maintaining existing inequalities and poor working conditions in the music industries. The conclusion reflects on the consequences of royalty shares becoming more normalized in music markets and indicates directions for future research into the assetization of cultural production

Advertising · Business · Economics · Inequality · Labour economics · Political science · Renting · Copyright and Intellectual Property · Cultural Industries and Urban Development · Law · Music History and Culture

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Unique citing works2
Citations per year2
Citation span2026 - 2026 (1)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 2

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