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From Auschwitz to the West Indies

The impact of Holocaust memory on Thorkild Hansen’s “slave trilogy

Bibliographic Data

ID6442298
AuthorsThomas Ewen Daltveit Slettebø (0009-0002-7306-3056, Western Norway University of Applied Sciences), Fredrik Stenhjem Hagen (0009-0001-6863-8217, Western Norway University of Applied Sciences)
Year2025
Volume18
Issue6
Pages1514-1528
Publication date2025-01-30
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueMemory Studies (JOURNAL)
Journal identifiersISSN: 1750-6980 • E-ISSN: 1750-6999
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/17506980241312340
OpenAlexW4406965589
LanguageEN
References cited21

In 1971, the Danish author Thorkild Hansen was awarded the Nordic Council Literature Prize for his trilogy of books exploring Danish colonialism and slave trade. Hansen’s books were the first widely read and critically acclaimed accounts of Denmark’s history of slavery. Hansen started writing the books after a visit to Auschwitz in 1965. In this article, we explore the genesis of these books, and the impact of holocaust memory on Hansen’s narrative of slavery in the Danish West Indies. We argue that the trilogy’s portrayal of slavery can be understood by employing the framework of multidirectional memory , particularly the idea of anachronistic aesthetics

Art · Art history · Ethnology · The Holocaust · Theology · Trilogy · West indies · German History and Society · History · Narrative Theory and Analysis · Philosophy · Polish-Jewish Holocaust Memory Studies

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Highly citedNo

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