The shattering of the self
Violence, Subjectivity, and Early Modern Texts
Bibliographic Data
| ID | 6574748 |
|---|---|
| Authors | Cynthia Marshall (0000-0003-2405-1999) |
| Year | 2002 |
| Pages | 216 |
| Publication date | 2002-01-01 |
| Open Access | No |
| Type | BOOK |
| Venue | The shattering of the self (SOURCE_BOOK) |
| Publisher | Johns Hopkins University Press (PUBLISHER • US) |
| ISBN | 9780801867781 |
| Open Library | OL22032828M |
| Google Books | g_acvrdteAgC |
| Language | EN |
In The Shattering of the Self: Violence, Subjectivity, and Early Modern Texts, Cynthia Marshall reconceptualizes the place and function of violence in Renaissance literature. During the Renaissance an emerging concept of the autonomous self within art, politics, religion, commerce, and other areas existed in tandem with an established, popular sense of the self as fluid, unstable, and volatile. Marshall examines an early modern fascination with erotically charged violence to show how texts of various kinds allowed temporary release from an individualism that was constraining. Scenes such as Gloucester's blinding and Cordelia's death in King Lear or the dismemberment and sexual violence depicted in Titus Andronicus allowed audience members not only a release but a "shattering" - as opposed to an affirmation - of the self."--BOOK JACKET
Catharsis · England · English literature · History and criticism · Renaissance · Self in literature · Subjectivity in literature · Violence in literature · 1500-1700 · Early modern · Early modern, 1500-1700 · English drama · English drama (Tragedy) · English drama, history and criticism · history and criticism, early modern
| Highly cited | No |
|---|