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The shattering of the self

Violence, Subjectivity, and Early Modern Texts

Bibliographic Data

ID6574748
AuthorsCynthia Marshall (0000-0003-2405-1999)
Year2002
Pages216
Publication date2002-01-01
Open AccessNo
TypeBOOK
VenueThe shattering of the self (SOURCE_BOOK)
PublisherJohns Hopkins University Press (PUBLISHER • US)
ISBN9780801867781
Open LibraryOL22032828M
Google Booksg_acvrdteAgC
LanguageEN

In The Shattering of the Self: Violence, Subjectivity, and Early Modern Texts, Cynthia Marshall reconceptualizes the place and function of violence in Renaissance literature. During the Renaissance an emerging concept of the autonomous self within art, politics, religion, commerce, and other areas existed in tandem with an established, popular sense of the self as fluid, unstable, and volatile. Marshall examines an early modern fascination with erotically charged violence to show how texts of various kinds allowed temporary release from an individualism that was constraining. Scenes such as Gloucester's blinding and Cordelia's death in King Lear or the dismemberment and sexual violence depicted in Titus Andronicus allowed audience members not only a release but a "shattering" - as opposed to an affirmation - of the self."--BOOK JACKET

Catharsis · England · English literature · History and criticism · Renaissance · Self in literature · Subjectivity in literature · Violence in literature · 1500-1700 · Early modern · Early modern, 1500-1700 · English drama · English drama (Tragedy) · English drama, history and criticism · history and criticism, early modern

Highly citedNo

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