Moving pictures
A New Theory of Film Genres, Feelings, and Cognition
Bibliographic Data
| ID | 6581534 |
|---|---|
| Authors | Torben Kragh Grodal, Torben Grodal (University of Copenhagen, corresponding author) |
| Year | 2002 |
| Pages | 306 |
| Publication date | 2002-01-01 |
| Open Access | No |
| Type | BOOK |
| Venue | Moving pictures (SOURCE_BOOK) |
| Publisher | Clarendon Press (PUBLISHER • GB) |
| OpenAlex | W4242761792 |
| Open Library | OL15625269M |
| ISBN | 9780198159834 |
| Language | EN |
| References cited | 63 |
Moving Pictures is a bold new theoretical account of the role of emotions and cognition in producing the aesthetics effects of film and television genres. It argues that film genres are mental structures which integrate sensations, emotions, and actions, activating the viewer's body and mind. Using recent developments in neuroscience and cognitive science in combination with narrative theory and film theory the book provides an alternative account to that offered by psychoanalysis explaining identification and the correlation of viewer reaction with specific film genres. Concluding, with an analysis of the emotional structures of comic fiction, metafiction, crime fiction, horror, and melodrama the book is unique in describing a wide range of problems and issues within film studies, from a cognitive, neurophysiological, and ecological points of view. Highly original, the work will interest scholars in a wide range of fields, from aesthetics to psychology in addition to researchers in the areas of film and television theory
Aesthetics · Art · Cognition · Cognitive science · Comics · Film genres · Film theory · Identification (biology) · Literature · Metafiction · Motion pictures · Movie theater · Narrative · Narratology · Point (geometry) · Psychological aspects · Cinema and Media Studies · Media Influence and Health · Narrative Theory and Analysis · Neuroscience · Psychology · Cognition and culture · Fiction genres · History · Motion pictures, history · Motion pictures, philosophy · Philosophy · Psychological aspects of Motion pictures
Ideology and the image
Visual "literacy"
Reception theory
The Work of Art in the Age of Mechanical Reproduction
The Psychology of Emotions
The interpretation of dreams.
The Act of Reading
Cinema II
Vision
Narrative Fiction
From Neuropsychology to Mental Structure
Structuralist Poetics
Languages of Art
Adventure, Mystery, and Romance
Alice Doesn’t
An essay on the meaning of the comic.
Explaining Behavior
Hollywood from Vietnam to Reagan
The Cognitive Structure of Emotions
Language and Cinema
The Address of the Eye
Neurophilosophy
Anatomy of Criticism
A Constructivist View of Emotion
A General Psychoevolutionary Theory of Emotion
Hollywood genres
Orality and Literacy
The Body in the Mind
Matter and Consciousness
The Philosophy Of Symbolic Forms
Kuleshov on Film
Simulacra and Simulation
Meta‐television
Introduction to Communication Studies
The magical number seven, plus or minus two
Delightful Murder
Visual Pleasure and Narrative Cinema
Questions of genre
Women, Fire, and Dangerous Things
Metafiction
A History of Modern Criticism, 1750-1950
Toward a Theory of Point-of-View Editing
La grande syntagmatique du film narratif
La logique des possibles narratifs
Facial Affect and Verbal Context in Conversation
Speech Acts
| Citation velocity | historical |
|---|---|
| Highly cited | No |