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Becoming Animal, Becoming Others

What We Make with Art and Literature

Bibliographic Data

ID6641667
AuthorsKarin Cope (NSCAD University, corresponding author)
Year2013
Volume20
Issue1
Pages121-138
Publication date2013-06-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueAmerican, British and Canadian Studies (JOURNAL)
Journal identifiersISSN: 1841-1487 • E-ISSN: 1841-964X
PublisherDe Gruyter Open (PUBLISHER • PL)
DOI10.2478/abcsj-2013-0013
OpenAlexW2013813417
LanguageEN
Citations received1
References cited1

What is poetry for? How does poiesis or making - the Greek root of the words poetry and poetics - succeed in moving us, in getting under our skins? “Becoming Animal” argues that art and literature are crucial zones of play, transformative modes that work by mixing up self and other, inside and out, human, animal and other matter. The essay moves from a consideration of D.W. Winnicott’s psychoanalytic discussion of the relationship between play and creativity, self and other, to Howard Searles’ investigation of transference and counter-transference as possible models for engaged and sensuously attuned critical stances. The last section of the essay offers an account of the “transgenic” work of Eduardo Kac, which literally mixes genetic material as art. The essay concludes by arguing that art, as poiesis, works by engaging us in constant contact with what is not ourselves as a process of becoming ourselves; it argues that such ‘self-estrangement’ is the way we sort out how to live an ontologically rich and ethically meaningful life

Aesthetics · Art · Creativity · Epistemology · Literature · Poetics · Poetry · Psychoanalysis · Psychoanalytic theory · Sociology · Transformative learning · Ecocriticism and Environmental Literature · Geographies of human-animal interactions · Philosophy · Posthumanist Ethics and Activism · Psychology · Social Psychology

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Unique citing works1
Citations per year0.2
Citation span2021 - 2021 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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