Une Répugnante Complicité
Figuring History inLe Planétarium
Bibliographic Data
| ID | 7093510 |
|---|---|
| Authors | Hannah Freed-Thall (corresponding author) |
| Year | 2006 |
| Volume | 10 |
| Issue | 2 |
| Pages | 173-181 |
| Publication date | 2006-03-20 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Contemporary French and Francophone Studies (JOURNAL) |
| Journal identifiers | ISSN: 1740-9292 • E-ISSN: 1740-9306 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/17409290600560260 |
| OpenAlex | W2029623318 |
| Language | FR |
| References cited | 2 |
Click to increase image sizeClick to decrease image size Notes 1. Sarraute's critics have tended to valorize the “truth” and “purity” of the tropism, against the oppressive and arbitrary force of language. Sabine Raffy, for example, claims that conventional discourse in Sarraute's novels functions simply as the “pellicule sociale qui recouvre l’authenticité humaine,” and she defines the tropistic unconscious as the force of rebellion against social convention: “le tropisme [...] mesure la révolte intime de l’homme contre l’emprise sociale” (12, 16). Tropisms offer “une certaine authenticité de la communication,” while the “Vox populi” represents “l’espace de la sécurité bourgeoise, de l’acquiesement, du compromis” (60, 63). Additional informationNotes on contributorsHannah Freed-Thall With an introduction by Ann Smock
Art · Art history · Epistemology · Humanities · Literature · Unconscious mind · French Literature and Criticism · Historical Studies and Socio-cultural Analysis · Philosophy
| Citation velocity | historical |
|---|---|
| Highly cited | No |