The politics of art
Manet at the Salon of 1872
Bibliographic Data
| ID | 7094375 |
|---|---|
| Authors | Robert Lethbridge (University of St Andrews, corresponding author) |
| Year | 2020 |
| Volume | 42 |
| Issue | 3 |
| Pages | 355-367 |
| Publication date | 2020-05-26 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Nineteenth Century Contexts (JOURNAL) |
| Journal identifiers | ISSN: 0890-5495 • E-ISSN: 1477-2663 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/08905495.2020.1773174 |
| OpenAlex | W3033207158 |
| Language | EN |
| Citations received | 2 |
| References cited | 4 |
In an otherwise exhaustive study of the Battle of the “Kearsarge” and the “Alabama” [Figure 1] (having “left no stone unturned”), the pre-eminent Manet scholar Juliet Wilson-Bareau (2003) sidestepp
Art · Art history · Political science · Politics · Salon · French Historical and Cultural Studies · Historical Art and Culture Studies · Historical Studies and Socio-cultural Analysis · Law
| Unique citing works | 2 |
|---|---|
| Citations per year | 0,18 |
| Citation span | 2015 - 2023 (9) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |