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Old Stories, New Histories

The Past in the Francophone Tunisian Novel

Bibliographic Data

ID7094790
AuthorsDebbie Barnard (0000-0003-3391-2084, Oxnard College, corresponding author)
Year2016
Volume20
Issue1
Pages94-101
Publication date2016-01-01
Open AccessNo
TypeARTICLE
VenueContemporary French and Francophone Studies (JOURNAL)
Journal identifiersISSN: 1740-9292 • E-ISSN: 1740-9306
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/17409292.2016.1120556
OpenAlexW2293352051
LanguageEN
References cited4

The overarching dilemma for Tunisian society since the end of the French protectorate has been the struggle for a political system that accurately reflects the nation's cultural hybridity. This struggle has marked political and social debates, and appears repeatedly in literature. Before the political freedom that the Arab Spring brought Tunisia, authors such as Sophie El Goulli and Abdelaziz Belkhodja were already recrafting Tunisian history, using it as a way of challenging entrenched Western hegemony and staging a quiet, low-key revolution. In their respective novels, Hashtart: À la naissance de Carthage and Le Retour de l’éléphant, El Goulli, and Belkhodja reprise the history of Carthage; through this movement back in history, beyond European domination, these authors are able to transcend the era of the French protectorate and create a deeper political vision that challenges the presumed inevitability of the postcolonial dictatorship. This article explores how each author challenges the political oppression that remained in the wake of the French protectorate, marks the beginning of the end of the régime du savoir left by colonialism and announces the dawn of political modernity

Colonialism · Dictatorship · Ethnology · French · Hegemony · Hybridity · Modernity · Political science · Politics · Protectorate · Sociology · Anthropology · Historical Studies and Socio-cultural Analysis · History · Law · North African History and Literature · Political and Social Issues

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Highly citedNo

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