Piety, music and gender transformation
Reconfiguring women as culture bearing markers of modernity and nationalism in Bangladesh
Bibliographic Data
| ID | 7094881 |
|---|---|
| Authors | Samia Huq (0000-0002-9398-973X, corresponding author) |
| Year | 2011 |
| Volume | 12 |
| Issue | 2 |
| Pages | 225-239 |
| Publication date | 2011-05-18 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Inter-Asia Cultural Studies (JOURNAL) |
| Journal identifiers | ISSN: 1464-9373 • E-ISSN: 1469-8447 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/14649373.2011.554650 |
| OpenAlex | W2124625416 |
| Language | EN |
| Citations received | 8 |
| References cited | 10 |
This article was published in Inter-Asia Cultural Studies [ © 2011 Taylor & Francis ] and the definite version is available at: http://dx.doi.org/10.1080/14649373.2011.554650 The Article's website is at: http://www.tandfonline.com/doi/abs/10.1080/14649373.2011.554650
Aesthetics · Art · Bearing (navigation · Cartography · Epistemology · Filial piety · Geography · Modernity · Nationalism · Piety · Political science · Sociology · Transformation (genetics · Anthropological Studies and Insights · Asian Studies and History · Gender Studies · Music History and Culture · Philosophy · Religious studies
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| Unique citing works | 8 |
|---|---|
| Citations per year | 1 |
| Citation span | 2018 - 2026 (9) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 7 |