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Andrew Jackson Downing and the Tyranny of Taste

Bibliographic Data

ID7095374
AuthorsDavid C Wall (Dewsbury and District Hospital, corresponding author), David Wall (0000-0001-5706-8151)
Year2007
Volume8
Issue2
Pages187-203
Publication date2007-06-01
Open AccessNo
TypeARTICLE
VenueAmerican Nineteenth Century History (JOURNAL)
Journal identifiersISSN: 1466-4658 • E-ISSN: 1743-7903
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/14664650701387920
OpenAlexW2063279195
LanguageEN
Citations received1
References cited16

The following essay examines the published writing of Andrew Jackson Downing, the early nineteenth century architect and landscape gardener. As the most popular writer and commentator on house and landscape design of his time Downing profoundly shaped – both literally and metaphorically – the social and geographical environment of the emergent middle class. Relating his writing to the promotion of a shared nationalism as embodied in the landscape painting of the Hudson River School, the essay assesses Downing's drive to order by seeing it as a response to the general violence and disorder of the antebellum American city and demonstrates that the defining logic of Downing's project was the universalization of bourgeois taste, uniting the mutually legitimating discourses of privacy, consumption and self‐control

Aesthetics · Art · Art history · Bourgeoisie · Consumption (sociology · Embodied cognition · Epistemology · Glory · Landscape painting · Literature · Nationalism · Painting · Political science · Politics · Sociology · Taste · Universalization · History · Law · Literature: history, themes, analysis · Multicultural Socio-Legal Studies · Philosophy · Scottish History and National Identity

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Citations per year0.14
Citation span2019 - 2019 (1)
Highly citedNo

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