Shipibo Laughing Songs and the Transformative Faculty

Performing or Becoming the Other

Bibliographic Data

ID7097448
AuthorsBernd Brabec (0000-0002-2150-4924, University of Vienna, corresponding author), Bernd Brabec De Mori
Year2013
Volume22
Issue3
Pages343-361
Publication date2013-11-21
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueBritish Journal of Ethnomusicology (JOURNAL)
Journal identifiersISSN: 0968-1221 • E-ISSN: 1741-1920
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/17411912.2013.844528
OpenAlexW2074933420
LanguageEN
Citations received8
References cited18

Shipibo indigenous people perform a sophisticated array of vocal musical genres, including short 'laughing songs' called osanti. These song-jokes make fun of certain non-humans, mostly animals. They are by definition sung from within the non-humans' perspective. Osanti are only performed by trained specialists in indigenous medicine and sorcery (médicos), because it is crucial that the performer owns the faculty of transforming into the animal in question, although in osanti the singers do not transform. Songs involving actual transformation are not meant for laughing: these are magical songs including interaction with and transformation into animals or spirits that possess a more ample radius of perception and action than 'Real Human' beings. Osanti songs, with their position between secular and magical songs, allow for an analysis of humour and laughing in the construction of the indigenous ontology, thereby questioning some generalisations made in theories of animism and perspectivism

Action (physics · Aesthetics · Animism · Art · Epistemology · Indigenous · Literature · Musical · Perception · Performing arts · Perspectivism · Sociology · Transformative learning · Anthropological Studies and Insights · Anthropology · Communication · Indigenous Health, Education, and Rights · Indigenous Studies in Latin America · Philosophy · Psychology

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