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Talking Animals

Explorations in an Indian Literary Genre

Bibliographic Data

ID7097638
AuthorsPatrick Olivelle (The University of Texas at Austin, corresponding author)
Year2013
Volume7
Issue1-3
Pages14-26
Publication date2013-10-08
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueReligions of South Asia (JOURNAL)
Journal identifiersISSN: 1751-2689 • E-ISSN: 1751-2697
PublisherEquinox Publishing (PUBLISHER • GB)
DOI10.1558/rosa.v7i1-3.14
OpenAlexW2039067752
LanguageEN
Citations received3
References cited2

Animals are certainly good to think (bonnes a penser), as famously noted by Claude Levi-Strauss, but from the dawn of literature humans have also given them voices so that they can participate vicariously in an anthropomorphized animal linguistic and social world paralleling the human, giving rise to the literary genre of the animal fable. The earliest use of animals in literature was probably as similes. Such allegories abound in the earliest strata of the Rg-Veda. What is interesting in these comparisons for later animal tales is that a particular characteristic is singled out as defining a particular animal and constituting its very nature (svabhava). The association of a particular species with a set of moral and intellectual qualities, with personality traits, plays a central role in later animal fables. But what about talking animals? When do they make their first appearance in the extant corpus of Indian literature? This article will reflect on the religious and cultural backdrop within which the anthropomorphizing habit of Indian animal tales took place in Indian Sanskrit literature

Art · Biology · Extant taxon · Fable · Literature · Sanskrit · Sociology · Anthropological Studies and Insights · Anthropology · Culinary Culture and Tourism · Geographies of human-animal interactions · History · Philosophy

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Unique citing works3
Citations per year0,33
Citation span2017 - 2023 (7)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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