Camera Indica
The Social Life of Indian Photographs
Bibliographic Data
| ID | 7100116 |
|---|---|
| Authors | Elizabeth Edwards (0000-0003-2973-8749) |
| Year | 1998 |
| Volume | 14 |
| Issue | 2 |
| Pages | 96-99 |
| Publication date | 1998-09-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | REVIEW |
| Review of | Camera Indica: The social life of Indian photographs, Christopher Pinney, 1997 |
| Venue | Visual Anthropology Review (JOURNAL) |
| Journal identifiers | ISSN: 1058-7187 • E-ISSN: 1548-7458 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1525/var.1998.14.2.96 |
| OpenAlex | W1632012312 |
| Language | EN |
| References cited | 2 |
Camera Indica: The Social Life of Indian Photographs. Christopher Pinney. London: Reaktion Books. 1997. 240pp, illus
Art · Art history · Computer graphics (images · Ethnology · Social life · Visual arts · Anthropological Studies and Insights · Computer Science · Geographies of human-animal interactions · History · Southeast Asian Sociopolitical Studies
Objects of Affect
Truth, Vision, and the Market
Agency and Affectivity of Paintings
The last 20 years of visual anthropology – a critical review
Sobre a Necesidade De Se Perguntar De Que Forma, Exatamente, a Geografia É Visual
Toward an Ethnographic Lingua Franca
Religious Architecture
Rethinking Markets in Modern India
Bringing Home the Dead
Blurred Visions
Space in Motion
Visual representations of the penal colony
Vernacular Capitalism, Advertising, and the Bazaar in Early Twentieth-Century Western India
Cultural translation
Yoruba Photography
World Heritage and Cultural Economics
Mimicry and Misrecognition
Embodied aesthetics and populist appeal of communist portraits in contemporary Kerala
“Photography”
Disability Images as Evidence
Performing Data and Visualizing Difference
Muslim Cultures beyond the Aperture
Introduction
Smartphone photography and its socio-economic life in China
Uneven Encounters
Introduction
The Haitian zombie motif
The use of photographs in mourning and bereavement and the anthropology of art
Colonial Polyrhythm
Insurgent Archive
The Reappearance of the Authentic
Spirit Discipline
Communities of Sense/Communities of Sentiment
Document
“We Are Moving with Technology”
Selections from Castaway
“Sinful Propensities”
Punishment and the Political Body
“The Truth Is in the Soil”
Problems of Violence, States of Terror
Citizenship, Contingency, and Futurity
The Artifice of Trust
The Burden of Louis Congo and the Evolution of Savagery in Colonial Louisiana
Document
Networks, Agents and Objects
Introduction – Transcultural Turbulences
Cosmopolitan Visions
The visual in archaeology
Constructing Credible Images
The Colonial Ethnography of India- Co-opting Identity through Images
Making the visual record of New Guinea
The days of plenty
Migrant narratives as photo stories
The Disappeared
Photos in Wiradjuri Biscuit Tins
Recent Methodological Opportunities in Online Hypermedia - a Case Study of Photojournalism in Singapore
Filmes como coisas na Índia colonial
Tempestade Dourada
Protest without End
Bibliographie générale
Exhibition Review Essays and Exhibition Reviews
Stone Replicas
Visions of discipline
Apes, skulls and drums
Representation/Self-representation
"Photographing the "Other
Photographing Spirits
Picturing Culture
Furnished in English Style’
Picturing dreams
The vernacular under pressure from the digital
Facing Victims
On the Need to Ask How, Exactly, Is Geography “Visual”
Introduction. Science and Visual Colonialism
Real versus ideal
Snapshots
Operation Overlord
Lonely Together
Imperial narratives displaced by Indian subaltern identities in early amateur films
Empire and the Visual Representation of Nature, 1860–1960 1
Notes on historiography of photographs from India
Imagining the Politics of the Senses in Public Spaces
Between subjects, between mediums
Photography and Chineseness
Photographing people is wrong
Monumentality and Its Discontents
The Joy of Looking
Visualizing Citizenship in a Bureaucratic Frame
Presidents at Work
Wedding Videos in North Kerala
The Japanese American National Museum and the Construetion of Identity
J ai B him C omrade and the Politics of Sound in Urban I ndian Visual Culture
G andhi and the Satyagraha of Newspaper Cartoons
Svāmī Vivekānanda’s Iconic Presence and Conventions of Nineteenth-Century Photographic Portraiture
Between Art and Artifact
Mental illness in India
Becoming anthropological
If You Were in My Sneakers
Philip Meadows Taylor's Confessions of a Thug
Adivasi images, Adivasi voices. The resonance of the Eickstedt collection
| Citation velocity | historical |
|---|---|
| Highly cited | No |