Unveiling deception
An approach of the Shroud of Turin's anatomical anomalies and artistic liberties
Bibliographic Data
| ID | 7147442 |
|---|---|
| Authors | Elio Quiroga Rodríguez (0000-0002-4912-1941, Universidad del Atlántico Medio Las Palmas de Gran Canaria Canary Islands Spain, corresponding author) |
| Year | 2025 |
| Volume | 67 |
| Issue | 1 |
| Pages | 263-266 |
| Publication date | 2025-02-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Archaeometry (JOURNAL) |
| Journal identifiers | ISSN: 0003-813X • E-ISSN: 1475-4754 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/arcm.13014 |
| OpenAlex | W4400594475 |
| Language | EN |
| Citations received | 4 |
| References cited | 4 |
The authenticity of the Shroud of Turin, also known as the ‘Síndone’ or ‘Holy Shroud’, faces significant doubt based on scientific evidence. Carbon‐14 testing conducted decades ago placed its origin in the Middle Ages, raising questions about its connection to Jesus Christ. This article highlights an anatomical anomaly: the hand placement covering the genitals appears inconsistent with human proportions, suggesting a possible artistic intervention
Archaeology · Art · Deception · Political science · Shroud · Ancient Egypt and Archaeology · Cold Fusion and Nuclear Reactions · Historical, Religious, and Philosophical Studies · History · Law
| Unique citing works | 4 |
|---|---|
| Citations per year | 4 |
| Citation span | 2025 - 2026 (2) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 4 |