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Joss is (no longer?) Boss

Three layers of cancelling in the Joss Whedon fan community

Datos Bibliográficos

ID7154281
AutoresHadas Gur-Ze’ev (0000-0002-7706-5908, Hebrew University of Jerusalem, autor de correspondencia), Neta Kligler-Vilenchik (0000-0003-3470-3305, Hebrew University of Jerusalem)
Año2025
Volumen25
Número8
Páginas1837-1852
Fecha de publicación2025-11-17
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaFeminist Media Studies (JOURNAL)
Identificadores de la revistaISSN: 1468-0777 • E-ISSN: 1471-5902
EditorialInforma UK Limited (PUBLISHER • GB)
DOI10.1080/14680777.2024.2381244
OpenAlexW4400896500
IdiomaEN
Citas recibidas4
Referencias citadas25

Over the past few years, and in the aftermath of the #MeToo movement, increased attention has been devoted to the practice of “cancelling:” the withdrawal of support from someone whose values, action or speech are deemed unacceptable. While social justice advocates see cancelling as a tool advancing equality and inclusion, the pejorative term “cancel culture” has quickly earned a contested status and was used by opposers to warn against a “takeover” of “woke” values. The Joss Whedon fan community, centered around a creator celebrated for advancing feminist agendas in popular culture, is an intriguing site within this broader controversy. The aim of this study is to explore how fans navigate the ambivalences inherent in cancelling a previously-valued creator, and the tensions between promoting liberal values and protecting objects of fandom. Drawing on 20 in-depth interviews with Whedon fans and former fans, we propose a framework conceptualizing cancelling as consisting of three layers: cancelling the emotional relationship towards the creator, cancelling his works, and promoting cancelling as an ideological choice. The framework is helpful in understanding the broader tensions inherent in the practice of cancelling, in the context of culture and gender wars

Aesthetics · Art · Boss · Economic Justice · Fandom · Ideology · Media studies · Pejorative · Political science · Politics · Sociology · Engineering · Gender, Feminism, and Media · History · Law · Media Studies and Communication · Sports, Gender, and Society

  • “This Barbie is Woke!”

    Open Access•Hadas Gur-Ze’ev, Neta Kligler-Vilenchik•Feminist Media Studies•2026

  • Waving the cancelling wand

    Open Access•Guilherme Giolo, Simone Driessen et al.•Social Semiotics•2026

  • WeGotYou

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  • You are Cancelled

    Open Access•Joseph Ching Velasco•Rupkatha Journal on Interdisciplina…•2020

  • Racist call-outs and cancel culture on Twitter

    Open Access•Gwen Bouvier•Discourse Context & Media•2020

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  • The traffic in feminism

    Sarah Banet-Weiser, Sarah Banet‐weiser et al.•Feminist Media Studies•2017

  • Special issue on online misogyny

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  • MasculinitySoFragile

    Sarah Banet-Weiser, Sarah Banet‐weiser et al.•Feminist Media Studies•2015

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  • What gets lost in Twitter ‘cancel culture’ hashtags? Calling out racists reveals some limitations of social justice campaigns

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  • Blame, then shame? Psychological predictors in cancel culture behavior

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  • Masculinity, cancel culture and woke capitalism

    Open Access•Daniel Sailofsky•International Review for the…•2022

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  • New Fronts in the Culture Wars? Religion, Partisanship, and Polarization on Religious Liberty and Transgender Rights in the United States

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  • Feminisms

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Obras citantes distintas4
Citas por año4
Intervalo de citas2026 - 2026 (1)
Velocidad de citacióncurrent
Altamente citadoNo
Tipos de citaNeutras: 3
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