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It’s time to transport ourselves back to the day of the crime

The intimacy of sound in true crime podcasts

Bibliographic Data

ID7174129
AuthorsLili Pâquet (0000-0001-5300-1689, University of New England, corresponding author)
Year2025
Volume22
Issue1
Pages128-144
Publication date2025-06-19
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueCrime Media Culture An International Journal (JOURNAL)
Journal identifiersISSN: 1741-6590 • E-ISSN: 1741-6604
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/17416590251345718
OpenAlexW4411457399
LanguageEN
Citations received3
References cited32

In scholarship around podcasts, the idea of intimacy recurs. This intimacy is seemingly innate to the format and could go some way to explaining the popularity of true crime podcasts, particularly for women as listeners. How do true crime podcasts create a sense of intimacy between hosts, interviewees, and listeners? This article discusses the findings of a close analytical listening of the true crime podcasts The Retrievals (2023), The Girlfriends (2023), The Crossbow Killer (2023), and Who Shat on the Floor at My Wedding? (2020). Findings are grouped into four categories: confessional narration, soundwork and music, liveness and voice, and physical and emotional proximity. The research uncovers how podcasters use editing strategies such as quick dense montage, follow the process of the podcaster rather than traditional narrative arcs, and the physical experience of earbuds to encourage intimate and political listening. Via these components, true crime podcasts position women to respond emotionally to narratives of gender-based violence and encourage a political and caring attitude toward changing justice outcomes

Active listening · Art · Literature · Media studies · Narrative · Political science · Politics · Popularity · Scholarship · Sociology · Communication · Law · Media Studies and Communication · Media, Journalism, and Communication History · Psychology · Radio, Podcasts, and Digital Media · Social Psychology

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    Open Access•Mariana Salles Kehl, Luiza Poeta Alves e Silva•Crime Media Culture An…•2026

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    Open Access•Jonathan Ricketson•Crime Media Culture An…•2026

  • True crime podcasts, journalistic authority, and the transforming archive

    Open Access•Katrina Clifford, Lisa Waller•Crime Media Culture An…•2026

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    E Probyn•The affect theory reader•2010

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  • The Cultural Politics of Emotion

    Sara Ahmed, Sara Ahmed Sayed Ali•Cultural Politics of Emotion•2014

  • No Dead Air! The iPod and the Culture of Mobile Listening

    Michael Bull•Leisure Studies•2005

  • ‘Listening closely’ to mediated intimacies and podcast intimacies in Song Exploder

    Open Access•Kyra Clarke, Collin Bjork•Convergence The International…•2023

  • Captured by True Crime

    Open Access•Amanda M Vicary, R Chris Fraley•Social Psychological and…•2010

  • The Rise of True Crime

    Jean Murley•The Rise of True Crime•2008

  • Intimacy and Emotions in Podcast Journalism

    Mia Lindgren•Journalism Practice•2021

  • Seeking Justice Elsewhere

    Open Access•Lili Pâquet•Crime Media Culture An…•2020

  • Forever trapped in the imaginary of late capitalism? The serialized true crime podcast as a wake-up call in times of criminological slumber

    Open Access•Elizabeth Yardley, Emma Kelly et al.•Crime Media Culture An…•2018

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    Sarah M Murray•Popular Communication•2019

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    Kelli S Boling•Mass Communication & Society•2022

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    Tanya Serisier•Continuum•2017

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    Open Access•Maria Rae•Continuum•2023

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  • Serial fiction podcasting and participatory culture

    Open Access•Robert Yeates•European Journal of Cultural…•2018

  • Podcasting as an Intimate Medium

    Open Access•Alyn Euritt•Podcasting As an Intimate Medium•2022

  • Podcasting and Political Life

    Open Access•Russell Macdougall, Robert C Macdougall•American Behavioral Scientist•2011

  • Watching the Detectives

    Open Access•Lisa A Kort-Butler, Lisa A Kort‐butler et al.•Sociological Quarterly•2011

Unique citing works3
Citations per year3
Citation span2026 - 2026 (1)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 1

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