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Flesh-hooks, technological complexity and the Atlantic Bronze Age feasting complex

Bibliographic Data

ID7175354
AuthorsStuart Needham (British Museum, corresponding author), Sheridan Bowman (0000-0002-1510-174X)
Year2005
Volume8
Issue2
Pages93-136
Publication date2005-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueEuropean Journal of Archaeology (JOURNAL)
Journal identifiersISSN: 1461-9571 • E-ISSN: 1741-2722
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1177/1461957105066936
OpenAlexW2130879910
LanguageEN
Citations received16
References cited17

Thirty-six Atlantic flesh-hooks are documented, classified and discussed after critical evaluation of previously identified examples and the addition of new ones. A chronological progression is shown from the more simple classes to the more complex from 1300 to 800 cal BC, but even the latter examples begin as early as c.1100 cal BC. Although highly distinctive, the Atlantic series derives ultimately from similar hooked instruments to the east and newly recognized Sicilian examples introduce an alternative path of dissemination from the more usually accepted intermediary route of the Urnfield culture. The rarity of flesh-hooks is striking and understanding of their social role needs to take into account not only their marked individuality in terms of technological construction or iconographic features, but also their relationship to other contemporary prestige feasting gear. The distributions of flesh-hooks and rotary spits are mutually exclusive over most of Atlantic Europe; thus, not only did they function differently at a practical level, but also at an ideological one. On the other hand, flesh-hooks and cauldrons have very similar distributions but they have a paucity of direct associations. Rather than implying a limited functional relationship, this is interpreted as resulting from their different symbolic meanings and thus different depositional practices. The zoomorphic imagery encountered on Atlantic spits and occasionally on flesh-hooks is found to be unique to each instrument and thus seen to contrast with that of the Urnfield world, suggesting the signalling of tribal or clan identity rather than an over-arching symbolism

Aesthetics · Art · Biology · Clan · Flesh · Genealogy · Identity (music · Ideology · Politics · Prestige · Sicilian · Sociology · Anthropology · History · Philosophy

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Unique citing works16
Citations per year0,84
Citation span2007 - 2023 (17)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 16

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