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Materiality, Technology, and Constructing Social Knowledge through Bodily Representation

A View from Prehistoric Guernsey, Channel Islands

Bibliographic Data

ID7175372
AuthorsSheila Kohring (University of Cambridge, corresponding author)
Year2014
Volume17
Issue2
Pages248-263
Publication date2014-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueEuropean Journal of Archaeology (JOURNAL)
Journal identifiersISSN: 1461-9571 • E-ISSN: 1741-2722
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1179/1461957114y.0000000055
PMID26290654
PMCIDPMC4538853
OpenAlexW2012833252
LanguageEN
Citations received4
References cited27

The role of the human body in the creation of social knowledge—as an ontological and/or aesthetic category—has been applied across social theory. In all these approaches, the body is viewed as a locus for experience and knowledge. If the body is a source of subjective knowledge, then it can also become an important means of creating ontological categories of self and society. The materiality of human representations within art traditions, then, can be interpreted as providing a means for contextualizing and aestheticizing the body in order to produce a symbolic and structural knowledge category. This paper explores the effect of material choices and techniques of production when representing the human body on how societies order and categorize the world

Aesthetics · Archaeology · Art · Body of knowledge · Categorization · Epistemology · Human body · Materiality (auditing · Prehistory · Social knowledge · Social order · Social science · Sociology · Anthropology · Archaeology and ancient environmental studies · Computer Science · History · Pacific and Southeast Asian Studies · Philosophy · Pleistocene-Era Hominins and Archaeology · Artificial Intelligence

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Unique citing works4
Citations per year0,36
Citation span2015 - 2023 (9)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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