Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Artisans of Sound

Persisting Competitiveness of the Handcrafting Luthiers of Central Mexico

Bibliographic Data

ID7212923
AuthorsThomas J Kies (corresponding author)
Year2013
Volume22
Issue1
Pages71-88
Publication date2013-04-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueBritish Journal of Ethnomusicology (JOURNAL)
Journal identifiersISSN: 0968-1221 • E-ISSN: 1741-1920
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/17411912.2013.775716
OpenAlexW2076030987
LanguageEN
Citations received2
References cited15

Each year 250,000 guitars are produced in Paracho, Michoacan, a small community nestled in the pine-filled highlands of the Meseta Purhépecha in central Mexico. Between 2002 and 2006, I worked as an anthropologist and apprentice guitar maker among the artisans of this community. Economically and culturally, residents of Paracho take great pride in their multigenerational tradition of producing musical instruments for sale in the local, national and international markets. Over 400 handcrafting luthiers work out of small guitar workshops that line nearly every street and back alleyway of the town. The Parachan guitar industry also embraces 14 guitar factories that are ubiquitous within the community, collectively employing nearly 500 individuals. Through exploring the workshop lives of artisans, I seek to address the central problem of this article: how do artisans in Paracho remain successful despite competition from large-scale factory producers both locally and globally, and what, if any, is their competitive advantage? I suggest that it is a conscious process of imbuing their guitars with handcrafted status that allows these artisans to remain competitive in the marketplace

Art · Competition (biology · Economics · Guitar · Management · Musical · Political science · Pride · Visual arts · Anthropological Studies and Insights · Global trade, sustainability, and social impact · History

  • The machine of sonorous indigeneity

    Joshua A Tucker•British Journal of Ethnomusicology•2016

  • Las vidas del acordeón. Reparadores y vida social de un instrumento musical en Monterrey

    Open Access•José Juan Olvera, Jacqueline Peña Benítez•Encartes•2021

  • Art And Agency

    Alfred Gell•Art and agency•1998

  • Global Pop

    Timothy D Taylor•Global Pop•2014

  • The Social Life of Things

    Open Access•Arjun Appadurai•Social Life of Things•1986

  • Colonialism and Culture

    Open Access•Nicholas B Dirks, Nicholas Dirks•Colonialism and culture•1992

  • Precarious production

    Timothy J Scrase•Third World Quarterly•2003

  • Situated Learning

    Open Access•Jean Lave, Etienne Wenger•Situated Learning•1991

  • Rethinking Modernity

    Open Access•Lisa Rofel•Cultural Anthropology•1992

  • Decolonizing Time Regimes

    Open Access•Kathleen Pickering•American Anthropologist•2004

Unique citing works2
Citations per year0,2
Citation span2016 - 2021 (6)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

Tools

Open DOISci-Hub
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae