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The Art of Resistance

The Bards and Minstrels’ Response to Anti-Syncretism/Anti-liminality in north India

Bibliographic Data

ID7212972
AuthorsMukesh Kumar (0000-0002-8539-965X, corresponding author)
Year2018
Volume29
Issue2
Pages219-247
Publication date2018-12-27
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of the Royal Asiatic Society (JOURNAL)
Journal identifiersISSN: 1356-1863 • E-ISSN: 1474-0591
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s1356186318000597
OpenAlexW2907443333
LanguageEN
Citations received8
References cited23

This article addresses the issue of passive resistance by the Jogi and Mirasi musician castes against the puritanical notions of their former patrons, Meos. After the Meo patrons embraced the Tablighi Jamaat 's version of Islam, the Jogis and Mirasis feel pressured to give up performing. Their artistry is also their livelihood which they value very much. By using James Scott's understanding of ‘passive resistance’ and ‘hidden transcript’ this article shows the use of poetic art for passive resistance. In doing so, the Jogis and Mirasis do not compromise with the civility of the art and positively use the lyrics of their new songs against the Meo patrons’ versions of religious purity on one hand, and extremist Hinduism on the other. They, in fact, emphasize a version of righteousness that is universal and thus needs no organised religion

Aesthetics · Art · Banner · Civility · Compromise · Hinduism · Islam · Literature · Lyrics · Poetry · Political science · Resistance (ecology · Righteousness · Sincerity · Social science · Sociology · Syncretism (linguistics · Theology · Anthropological Studies and Insights · Asian Studies and History · History · Law · Philosophy · Religious studies · South Asian Cinema and Culture

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Unique citing works8
Citations per year1,14
Citation span2019 - 2025 (7)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 8

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