Democracia y museo. Diferencia y conflicto en los relatos del Museo de América en Madrid
Bibliographic Data
| ID | 7295340 |
|---|---|
| Authors | Marisa González De Oleaga (0000-0003-4609-1852, corresponding author) |
| Year | 2016 |
| Issue | 35 |
| Pages | 123-144 |
| Publication date | 2016-05-26 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Historia y Política Ideas Procesos y Movimientos Sociales (JOURNAL) |
| Journal identifiers | ISSN: 1575-0361 • E-ISSN: 1989-063X |
| Publisher | Centro de Estudios Politicos y Constitucionales (PUBLISHER • ES) |
| DOI | 10.18042/hp.35.06 |
| OpenAlex | W2435701282 |
| Language | ES |
| Citations received | 6 |
| References cited | 6 |
America has been a basic and permanent ingredient in the definition of spanish national identity during the Franco’s Regimen: «Spain was considered mother of nations that brought language, religion and culture to that continent in the past and that was able to create a community that can recognize itself in that shared past and can aspire to a common future in the present». This sort of naturalization of a historical event as a foundational element of the spanish national identity can be trace along the Franco’s dictatorship in the political discourse and in the foreign relations as well. In fact America was not the point but a symbolic capital with which the Regimen could magnify his image and increase his impoverish bargaining power. America appeared as an excuse in order to glorify the spanish colonial past. But, What happened with the myth of America after the restoration of democracy? The new political system made any difference in the way the myth of America was organized? I will try to find out this in one public institution, the Museo de América in Madrid
Aesthetics · Art · Colonialism · Democracy · Dictatorship · Humanities · Identity (music · Institution · Mythology · Political science · Politics · Power (physics · Sociology · Classics · Historical Art and Architecture Studies · History · History of Education in Spain · Law · Photographic and Visual Arts
Carlos Martínez-Barbeito y Morás (1913-1998), el último director del Museo de América del franquismo. Lazos de poder y gestión cultural de un intelectual comprometido
Descolonizaciones equívocas. El caso de los museos antropológicos en España
Del museo proyectado a su realización
Fugaces encuentros en un desencuentro generalizado
Ediciones Imperiales
Vino cargado de materiales y proyectos. El diplomático ecuatoriano José Gabriel Navarro y el Museo del Prado = He Came with a Lot of Projects and Materials. The Ecuadorian Diplomat José Gabriel Navarro and the Prado Museum
| Unique citing works | 6 |
|---|---|
| Citations per year | 0.67 |
| Citation span | 2017 - 2025 (9) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 6 |