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Embodiments of bitter narratives

Constructing possible Indo-Caribbean identities through the karela

Bibliographic Data

ID7315647
AuthorsPriya Swamy (National Museums of World Culture), Sarojini Lewis (National Museums of World Culture)
Year2021
Volume1
Issue1
Publication date2021-09-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of Indentureship and its Legacies (JOURNAL)
Journal identifiersISSN: 2634-1999 • E-ISSN: 2634-2006
PublisherPluto Journals (PUBLISHER • GB)
DOI10.13169/jofstudindentleg.1.1.0084
OpenAlexW4206566926
LanguageEN
Citations received1
References cited6

This critical conversation between multidisciplinary artist Sarojini Lewis and curator Priya Swamy explores the possibilities of exhibiting and telling histories of Indian indentured labour otherwise. Focusing on the installation Why Do You Have a Face Like a Sopropo? (Worldmuseum Rotterdam, 2020), Lewis details why and how she sees a bitter, resilient and uniquely shaped vegetable like bitter gourd (‘karela’ in Hindi, ‘sopropo’ in Sranang Tongo) as an extension of memory and ancestry. The authors begin by discussing the karela as an ‘alternative text’ (Mahabir 2009), before contextualising Lewis' wider artistic practice. They then discuss in depth the installation Why Do You Have a Face Like a Sopropo? , its implications, and its methods. Finally, as a form of conclusion, both authors reflect upon what it means to have worked on this installation together, from within their distinct positionalities, and what this may imply for Indian indentured labour histories and experiences in the context of global Indian diaspora narratives

Aesthetics · Archaeology · Art · Bitter gourd · Context (archaeology · Conversation · Diaspora · Face (sociological concept · Hindi · Linguistics · Literature · Narrative · Social science · Sociology · Communication · Gender Studies · History · Philosophy · Socioeconomic Development in Asia

  • The Caribbean

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  • The Artist is Present”

    Amelia Jones•TDR/The Drama Review•2011

  • Black visuality and the practice of refusal

    Tina Marie Campt•Women & Performance a journal of…•2019

Unique citing works1
Citations per year0,08
Citation span2014 - 2014 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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