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Offspring of a virgin’s womb

Up to monkey business in Robert Antoni’s Divina Trace

Bibliographic Data

ID7315688
AuthorsMichael Mitchell (0000-0003-2052-7347, Paderborn University, corresponding author)
Year2022
Volume2
Issue2
Publication date2022-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of Indentureship and its Legacies (JOURNAL)
Journal identifiersISSN: 2634-1999 • E-ISSN: 2634-2006
PublisherPluto Journals (PUBLISHER • GB)
DOI10.13169/jofstudindentleg.2.2.0081
OpenAlexW4385460020
LanguageEN
References cited9

Robert Antoni’s Divina Trace has not yet found the wide readership that might be expected of the winner of the Commonwealth Writers’ Prize, perhaps because it does not conform to its readers’ expectations of a Caribbean novel. And yet it is of particular relevance to the legacy of indentureship and the East Indian presence in Trinidad and to the relationships among the different ethnic groups on the island through its central concern with a black madonna on a fictional island unmistakeably resembling the Divina Siparia worshipped by Catholics or the Hindu Siparia Mai . This essay examines the author’s postmodern techniques with particular reference to his treatment of sexuality, stereotypes, the grotesque and religious themes to discover what could be the significance of the idea of the Virgin and her representation in the black madonna. In doing so it engages with Deleuze’s ideas on repetition to investigate the relationship between storytelling and reality, and the nature of the creative imagination

Aesthetics · Art · Hinduism · Human sexuality · Literature · Narrative · Politics · Postmodernism · Representation (politics · Silence · Sociology · Storytelling · Caribbean history, culture, and politics · Gender Studies · History · Philosophy · Religious studies

  • Psychology and religion

    Carl Gustav Jung, Gerhard Adler et al.•Psychology and religion•1992

  • Coolie Woman

    Gaiutra Bahadur•Coolie Woman•2013

  • Contemporary Caribbean writing and Deleuze

    Zoran Pecic, Zoran Lee Pecic•Journal of Postcolonial Writing•2013

Citation velocityhistorical
Highly citedNo

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