D.V. Pivovarov’s Concept of the Ideal as the Basis of Modern Theory of Fine Arts
Bibliographic Data
| ID | 7323393 |
|---|---|
| Authors | Zhukovsky Vladimir I (Siberian Federal University, corresponding author) |
| Year | 2017 |
| Pages | 1-9 |
| Publication date | 2017-01-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of Siberian Federal University Humanities & Social Sciences (JOURNAL) |
| Journal identifiers | ISSN: 1997-1370 • E-ISSN: 2313-6014 |
| Publisher | Siberian Federal University (PUBLISHER • RU) |
| DOI | 10.17516/1997-1370-0175 |
| OpenAlex | W2772963921 |
| Language | EN |
| Citations received | 1 |
The article reveals the methodological principles of the Russian researcher D.V. Pivovarov’s synthetic theory of the ideal, which laid the foundation for the research of regularities of an ideal-forming process in fine arts. According to the theory, the ideal is as an intermediary between a human and the world and has a feature of a harmonious unity of the two opposite sides of being – material and spiritual. A work of fine arts is an artificial and skillfully produced ideal, a temptation which is aimed at a representative relation of the finite with the finite and the finite with the infinite. Finding the place of a work of art in the system of artistic culture, the author of the present paper argues that D.V. Pivovarov’s concept of the ideal is a basis of modern theory of fine arts, it promotes the scientific study of fine arts, helps to master a difficult dialectical process of a human’s (a viewer’s) representative relationship with his / her soul, souls of the others, the Spirit of God
Art · Basis (linear algebra · Epistemology · Geometry · Ideal (ethics · Sociology · The arts · Visual arts · Mathematics · Medical and Biological Sciences · Philosophy
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,2 |
| Citation span | 2021 - 2021 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |