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La photogénie de l’artiste en action

Six Exemples De L’acte Créateur Photographié Au Xxe Siècle

Bibliographic Data

ID7330022
AuthorsPierre-Emmanuel Perrier De La Bathie (École du Louvre, corresponding author)
Year2013
Volume2
Issue2
Publication date2013-03-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueLes cahiers de l École du Louvre (JOURNAL)
Journal identifiersISSN: 2262-208X • E-ISSN: 2262-208X
PublisherOpenEdition (PUBLISHER)
DOI10.4000/cel.531
OpenAlexW2618046876
LanguageFR

Photography and the creative act are incompatible by nature: one freezes the moment in an infinitesimal fragment of time, the other is a process that extends into time and space. What therefore can we expect from their association, especially in the twentieth century, which saw the birth of the most subjective and immaterial forms of art? Certain photographs, however, through the quality of the impression they show us, as well as by the material context in which they appear to us, have managed to overcome this divide. The solution seems to be in the concept of “photogenicness”, an essentially elusive quality that certain artists and photographers, using different strategies, succeed in appropriating

Art · Humanities · Cultural Insights and Digital Impacts · Philosophy · Photography and Visual Culture · Visual Culture and Art Theory

Citation velocityhistorical
Highly citedNo

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