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Toward a Common Configurative Impulse

Bibliographic Data

ID7332919
AuthorsKaira Marie Cabañas (0000-0002-6631-0285, University of Florida, corresponding author)
Year2021
Volume5
Issue1
Pages115-127
Publication date2021-01-30
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueMODOS Revista de História da Arte (JOURNAL)
Journal identifiersISSN: 2526-2963 • E-ISSN: 2526-2963
PublisherUniversidade Estadual de Campinas (PUBLISHER • BR)
DOI10.20396/modos.v5i1.8664006
OpenAlexW3135984290
LanguageEN
References cited3

Brazilian art critic Mário Pedrosa’s theorization of art’s affective power, whereby the relational contract with the spectator is neither rational nor purely visual but is infused with feeling, was decisive for understandings of geometric abstraction as expressive in the 1950s. “Toward a Common Configurative Impulse” turns to another modernism, nestled alongside the geometric ones that would come to define the aesthetic of artists associated with Concrete Art in these years. Beyond Concrete Art, Pedrosa’s modernism also encompassed the creative production of diverse practitioners, among them, popular artists, self-taught artists and psychiatric patients (the latter is the subject of my book Learning from Madness: Brazilian Modernism and Global Contemporary Art). With this in mind, this essay tracks the historical and discursive origins for such an inclusive modernism and how Pedrosa’s embrace of different artistic subjectivities calls for a necessary shift in the historiography of Brazilian modernism at mid-century

Abstract art · Aesthetics · Art · Art history · Epistemology · Feeling · Formalism (music · Historiography · Impulse (physics · Modern art · Modernism (music · Painting · Performance art · Subject (documents · Visual arts · Art, Politics, and Modernism · Computer Science · History · Literature, Culture, and Criticism · Philosophy · Sociology and Education in Brazil

  • O antídoto do mal

    Open Access•Gustavo Henrique Dionísio•O Antídoto Do Mal•2012

  • Learning from Madness

    Kaira Marie Cabañas•October•2015

  • A estética da conversão

    Open Access•Glaucia Villas Bôas•Tempo Social•2008

Citation velocityhistorical
Highly citedNo

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