Symposium on Afrofuturism in Black Panther
Gender, Identity and the Remaking of Blackness
Bibliographic Data
| ID | 7339093 |
|---|---|
| Authors | Renee T White (Department of Sociology in the New School for Social Research, New York, NY, USA, corresponding author) |
| Year | 2022 |
| Volume | 44 |
| Issue | 3 |
| Pages | 439-443 |
| Publication date | 2022-09-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | New Political Science (JOURNAL) |
| Journal identifiers | ISSN: 0739-3148 • E-ISSN: 1469-9931 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/07393148.2022.2119329 |
| OpenAlex | W4296041367 |
| Language | EN |
| Citations received | 1 |
This symposium is an active engagement with the edited volume, Afrofuturism in Black Panther: Gender, Identity, and the Remaking of Blackness, a text that provides an interdisciplinary examination of the 2018 film Black Panther. The symposium introduction provides an overview of the history and widespread impact of Afrofuturism as theory and practice and offers a summary of the contributors’ essays. Each of the four contributors, Reynaldo Anderson, Rebecca Wanzo, Kris F. Sealey and Jane Anna Gordon use Afrofuturism in Black Panther as a point of departure for their examinations of the continued impact of Afrofuturism, politics and identity, and cultural practice
Aesthetics · Art · Art history · Identity (music · Political science · Politics · Sociology · Anthropology · Gender Studies · Law · Utopian, Dystopian, and Speculative Fiction
| Citations per year | 0.5 |
|---|---|
| Citation span | 2024 - 2024 (1) |
| Highly cited | No |