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The logic of the collection

Bibliographic Data

ID7339598
AuthorsBoris Groys (corresponding author)
Year1970
Issue2
Pages73-73
Publication date1970-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueNordisk Museologi (JOURNAL)
Journal identifiersISSN: 1103-8152 • E-ISSN: 2002-0503
PublisherUniversity of Oslo Library (PUBLISHER • NO)
DOI10.5617/nm.3792
OpenAlexW2594003839
LanguageEN

In our culture 'serious', 'autonomous', art is produced primarily to be collected. Unlike in the past, it is no longer conceived as an element of a temple, a church, a palace or a functional public space. It is even possible to argue that the modern notion of 'art' is a result of the emerging of the modern museum in the 18th century. The historical museum didn't collect art but rather produced it through displaying the very heterogeneous objects which were used in many different sacred, political ritual, decorative etc - ways in their original cultural contexts inside the unified and secularized space of the aesthetic presentation in the museum

Aesthetics · Art · Art history · Element (criminal law · Political science · Politics · Presentation (obstetrics · Secularization · Visual arts · Cultural Heritage Management and Preservation · History · Law · Philosophy · Religious Tourism and Spaces

Citation velocityhistorical
Highly citedNo

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