Apolitical Blues
Report on the IASPM 12th Biennial Conference,McGill University, Montreal, 3–7 July 2003
Bibliographic Data
| ID | 7356407 |
|---|---|
| Authors | Jason Toynbee (corresponding author) |
| Year | 2004 |
| Volume | 23 |
| Issue | 2 |
| Pages | 195-219 |
| Publication date | 2004-05-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Popular Music (JOURNAL) |
| Journal identifiers | ISSN: 0261-1430 • E-ISSN: 1474-0095 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0261143004000108 |
| OpenAlex | W2030594791 |
| Language | EN |
| Citations received | 1 |
| References cited | 1 |
IASPM conferences are always enjoyable. There is plenty of enthusiasm for music, as well as much skilful delineation of its form and cultural context. IASPM conferences also have a pretty flat structure and, although there is never enough, a relatively high degree of interaction between people from different countries, ethnicities, disciplines, sexualities. Certainly, the academic star system is in evidence, but its worst manifestations are suppressed because most people want their conference to be democratic, to represent an alternative kind of academic culture
Art history · Blues · Context (archaeology · Enthusiasm · Ethnic group · Human sexuality · Media studies · Sociology · Anthropology · Canadian Identity and History · Gender Studies · History · Psychology · Social Psychology
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,07 |
| Citation span | 2011 - 2011 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |