La emergencia del arte en la ciudad contemporánea. Estrategias de interrupción y estetización en el espacio público
Bibliographic Data
| ID | 7370388 |
|---|---|
| Authors | Felipe Andrés Corvalán Tapia, Felipe Tapia (0000-0002-8470-2047, University of Chile, corresponding author) |
| Year | 2014 |
| Volume | 16 |
| Issue | 30 |
| Publication date | 2014-06-30 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Revista de Urbanismo (JOURNAL) |
| Journal identifiers | ISSN: 0717-5051 • E-ISSN: 0717-5051 |
| Publisher | Universidad de Chile (PUBLISHER • CL) |
| DOI | 10.5354/0717-5051.2014.30878 |
| OpenAlex | W4252991885 |
| Language | ES |
Since the consolidation of modernity, the city is understood as a means of control strategy. This condition of the city can be explained from the idea of the project, related with the search of progress that defines modernity. In this context architecture and urban design are understood as planning tools, which guides the life in the city. On the other hand, the emergence of art in the public space can be characterized as a sign of strangeness that can activate our critical capability to perceive the city. In this framework, the following article, discusses the relationship between art and architecture in the Chilean context, confronting two concepts: interruption and aestheticization
Aesthetics · Archaeology · Architectural engineering · Art · Art history · Business · Civil engineering · Consolidation (business · Context (archaeology · Humanities · Modernity · Political science · Public space · Sign (mathematics · Sociology · Urban planning · Visual arts · Architecture, Art, Education · Engineering · History · Latin American Urban Studies · Law · Photographic and Visual Arts · Architecture
| Citation velocity | historical |
|---|---|
| Highly cited | No |