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La emergencia del arte en la ciudad contemporánea. Estrategias de interrupción y estetización en el espacio público

Bibliographic Data

ID7370388
AuthorsFelipe Andrés Corvalán Tapia, Felipe Tapia (0000-0002-8470-2047, University of Chile, corresponding author)
Year2014
Volume16
Issue30
Publication date2014-06-30
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueRevista de Urbanismo (JOURNAL)
Journal identifiersISSN: 0717-5051 • E-ISSN: 0717-5051
PublisherUniversidad de Chile (PUBLISHER • CL)
DOI10.5354/0717-5051.2014.30878
OpenAlexW4252991885
LanguageES

Since the consolidation of modernity, the city is understood as a means of control strategy. This condition of the city can be explained from the idea of the project, related with the search of progress that defines modernity. In this context architecture and urban design are understood as planning tools, which guides the life in the city. On the other hand, the emergence of art in the public space can be characterized as a sign of strangeness that can activate our critical capability to perceive the city. In this framework, the following article, discusses the relationship between art and architecture in the Chilean context, confronting two concepts: interruption and aestheticization

Aesthetics · Archaeology · Architectural engineering · Art · Art history · Business · Civil engineering · Consolidation (business · Context (archaeology · Humanities · Modernity · Political science · Public space · Sign (mathematics · Sociology · Urban planning · Visual arts · Architecture, Art, Education · Engineering · History · Latin American Urban Studies · Law · Photographic and Visual Arts · Architecture

Citation velocityhistorical
Highly citedNo

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