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Creativity in the Theatre

Robert Edmond Jones and C. G. Jung

Bibliographic Data

ID7417773
AuthorsDana Sue Mcdermott (corresponding author)
Year1984
Volume36
Issue2
Pages212-212
Publication date1984-05-01
Open AccessNo
TypeARTICLE
VenueTheatre Journal (JOURNAL)
Journal identifiersISSN: 0192-2882 • E-ISSN: 1086-332X
PublisherJSTOR (PUBLISHER)
DOI10.2307/3206993
OpenAlexW2316761973
LanguageEN

Creativity is one of the most difficult phenomena to understand. Although we can only wonder about most artists' inner processes, the work and life of Robert Edmond Jones (1887-1954), the first professional American scenic designer, provide an unusual opportunity for gaining insight into the creative process. At a crucial point when Jones considered leaving the theatre, he entered analysis with C. G. Jung in Ziirich. We are uncertain about Jones's motives for undertaking psychoanalytical treatment, but it seems pertinent that his trip to Zuirich occurred in 1926-27 almost immediately after his withdrawal from the Experimental Theatre, Inc. After a year with Jung, Jones returned to designing and continued to work actively in the theatre until the mid forties

Art · Art history · Creativity · Visual arts · Art Therapy and Mental Health · Jungian Analytical Psychology · Musicology and Musical Analysis · Psychology · Social Psychology

Highly citedNo

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