Performing as a moral act
1 Ethical dimensions of the ethnography of performance
Bibliographic Data
| ID | 7433893 |
|---|---|
| Authors | Dwight Conquergood (corresponding author) |
| Year | 1985 |
| Volume | 5 |
| Issue | 2 |
| Pages | 1-13 |
| Publication date | 1985-04-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Literature and Performance (JOURNAL) |
| Journal identifiers | ISSN: 0734-0796 • E-ISSN: 2331-4400 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/10462938509391578 |
| OpenAlex | W1998176237 |
| Language | EN |
| Citations received | 225 |
| References cited | 12 |
1985). Performing as a moral act: Ethical dimensions of the ethnography of performance. Literature in Performance: Vol. 5, No. 2, pp. 1-13
Metode Penulisan Naskah Kolektif
At the Crossroads of the Body and the Word
Two Truths and a Lie
Re-fashioning citizens' juries
Mediating racial and spiritual difference in Harlem
Disrupting the Dichotomy
Blurred, Broken, and Bewildered
Contours through Covers: Voice and Affect in the Music of Lucas Silveira
Theater, Anthropology and
Teşhir mi Temsil mi
Communicating Cultism in the Media
Lip-Sync for Your Life
Performance as transformation / transformative
Against the grain
Failing at the help desk
“Yes, and … ” continuing the scholarly conversation about pandemic pedagogy
Developing a grounded practical theory of engaged communication scholarship
“Criteria against Ourselves?”
Who are “We” in Performative Autoethnography
Performance is Dissolution
Cap Pistols and Rubber Tomahawks
Teach-ins as Performance Ethnography
Writing From the Field
Queerscape
Speaking Back to Academic Colonial Gatekeeping
Performative Remembering of Hiroshima’s and My Father’s Silence
Venice Biennale
The Troubled Past, Present Disjuncture, and Possible Futures
The Critical Performative Turn in Intercultural Communication
Witnessing Refusal
Choosing different
Identity Passing in Intercultural Performance of K-pop Cover Dance
Local Stagings, Global Productions
On Critical Performance Race Theory
Pattern Recognition
Applications of Performance Ethnography in Nursing
Ethics in Research-Based Theater
Engagement, Authenticity, and Advocacy in “Youth Uncensored”
Unsettling the Coloniality of the Researcher
Performance Ethnography
Performance Ethnography
The Call to Performance
Some Ways We Might Use Paper
The Irish Hills of Michigan
We Are Pilots, not Horses
Teddy Boys and the performativity of dangerous fashion
How to Do Things with Performance (Again and Again …)
A Performative Memoric Investigation of YoungGiftedandFat
If You Ask”
Performing Family Photographs
Celebratory theatre
Pondering ethics
Race & representation in applied theatre
A Review of Narrative Ethics
Finding My Front Porch
Ethnotheatre and the performative interview as a multimodal methodology of world-making
Notes on Some Especially (Not So) Subtle Dissatisfactions
Feeling a Monumental Midwest
Family Genealogy and Family Communication
Performance Methodologies in Suicide Prevention Research
Networked Activists in Search of Resistance
I remember, you remember, and we remember
Critical Complete-Member Ethnography
Land is Our Mother”
Why Are You Shoving This Stuff Down Our Throats?”
The theater of memory
A critical performance pedagogy that matters
The Work and ‘Architecture of Listening’
The Latin Grammys and the Almas
Doing physical activity or not
The safe spaces ‘in-between’ – plays, performance and identity among young ‘second generation’ Somalis in London
The limits of the imaginary
Possession, performance, and the rhetoric of belonging
From American sociology to cultural studies
Everyday environmental education
On Remembering the Queer Self
Suiga/Change
Forum Theatre for Bystanders
Representation, interpretation, and performance opening the text of casing a promised land
Performing absence
Disciplinary Dedications and Extradisciplinary Experiences
Pro(re-)claiming Loss
Toward a feminist chamber theatre method
Three lessons about performance studies derived from the devised adaption Don Quixote Ugly
The Library Project and the Gift of Prankster Art
Yaqui Easter Ceremonies and the Ethics of Intense pectatorship
Manning Up
Amnesic performance
Hearing Voices
Reprogramming the Stage
Thwarting Binarisms
The place of performance in performance studies
Performing Intercultural Hybridity
I know how it is when nobody sees you”
Confessions of a Video Vixen
Space in the spotlight
An ethnographic ghost story
Can you dance for me?” the (Im)possibility of speaking trauma in dance ethnography
Performance studies in communication
The politics of asking women's questions
| Unique citing works | 225 |
|---|---|
| Citations per year | 5,77 |
| Citation span | 1987 - 2026 (40) |
| Citation velocity | current |
| Highly cited | Yes |
| Citation types | Neutral: 222 |