Making Culture, Changing Society
The perspective of ‘culture studies
Bibliographic Data
| ID | 7435281 |
|---|---|
| Authors | Tony Bennett (0000-0001-7082-2585) |
| Year | 2007 |
| Volume | 21 |
| Issue | 4-5 |
| Pages | 610-629 |
| Publication date | 2007-06-19 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Cultural Studies (JOURNAL) |
| Journal identifiers | ISSN: 0950-2386 • E-ISSN: 1466-4348 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/09502380701278988 |
| OpenAlex | W2142097361 |
| Language | EN |
| Citations received | 38 |
| References cited | 31 |
Drawing on the perspectives of science studies and actor-network-theory, this paper develops the perspective of ‘culture studies’ to offer an account of the ways in which culture, understood as a specific form of public organisation, is produced and sustained through the assemblage of materially heterogeneous elements. This is related to an account of the ways in which culture acts on the social through the distinctive ‘working surfaces on the social’ that it organises. The distinctiveness of the perspective of ‘culture studies’ is highlighted by comparing it with more familiar traditions of analysis within cultural studies and cultural sociology. Francis Mulhern's account of cultural studies’ relations to the practice of Kulturkritik associated with the formation of Bildung and the programme that Jeffrey Alexander proposes for the development of cultural sociology are paid particular attention in this regard. The paper concludes with a consideration of the forms of analytical attention that are needed to investigate the ways in which cultural and social science disciplines interact in the production of ‘working surfaces on the social’ through which their modes of action on the social are coordinated. Keywords: culturesocial Bildung assemblageactor-network-studiesscience studies Notes 1. I offer this example as similar to one Latour gives at a later point in his discussion (Latour 2005, p. 40). 2. Latour (2004, 2005) clearly views Bourdieu as the primary representative of the kind of sociologist who seeks to organise and mobilise power by producing – through the fields that he constructs by means of varied forms of abstraction from the real (surveys, their statistical manipulation, etc) – an invisible social structure on whose behalf he then claims to speak in championing the claims of sociology over those of other disciplines. These charges drew forth an irritated and largely unproductive response from Bourdieu which fails to differentiate science studies from the sociology of science, and disposes of Latour by mere caricature (Bourdieu Citation2004, pp. 21–30). 3. I use this formulation as there are good reasons for doubting that Foucault's own use of discourse ever stressed such qualities. These are rather ways of describing discourse that gloss his earlier formulations of the concept in the light of the more materialist emphases of his later work (see Sawyer Citation2002). 4. Mitchell's account of the making of the economy is woven into, and complicated by, an account of a split between the real and its representation which, in earlier work, Mitchell (Citation1988, Citation1989) clearly views as both a wider and primary rift with a longer history than that of ‘the economy’, as he defines it. 5. My formulations here recast aspects of Larry Shiner's (Citation2001) account of the production of the autonomy of art and culture. 6. Mulhern's book occasioned an extended debate with Stefan Collini and others in New Left Review: see Collini (Citation2001, Citation2002), Mulhern (Citation2002, Citation2003), and Simpson (Citation2004). 7. Law and Urry cite the recent work of Osborn and Rose (Citation1999) on public opinion. However, this line of argument was developed much earlier by Pierre Bourdieu in his probing study of the ways in which public opinion research produced its own reality effects: see Bourdieu (Citation1979
Bildung · Optimal distinctiveness theory · Sociology of culture · Management and Organizational Studies · Social and Cultural Dynamics · Social Representations and Identity
Anthropology and Heritage Regimes
Cultural citizenship, media and sport in contemporary Australia
Young people's own museum views
Sociology, Aesthetics, Expertise
Social Work and Obesity
A Complex Art of Logistics
Establishing a creative identity
The values of culture? Social closure in the political identities, policy preferences, and social attitudes of cultural and creative workers
Ce que les cultural studies font aux savoirs disciplinaires
Place Brands, Nonbrands, Tags and Queries
Working With Pierre Bourdieu in the Tourism Field Making a Case for ‘Third World’ Tourism
The Work of Culture
From French Indochina to Paris and back again
Exploring Relations to Documents and Documentary Infrastructures
Habit
The European policy of culture
Soviet Policy Sciences and Earth System Governmentality
Remembering and reinventing Juri Lotman for the digital age
Materializing ideas
Full-Throttle Jesus
Cultural making’
Culture, class, distinction
Placing Parasites
Posthumanist Cultural Studies
Mind the Gap
Beyond records and representations
Black Boxes as Capacities for and Constraints on Action
Thoughts on the "global turn" as a disciplinary future
Observing, Collecting and Governing "Ourselves" and "Others
On Heritage Ontologies
Conservation values, the authorised heritage discourse and the conservation-planning assemblage
Cultural sociology in perspective
(Re-)Assembling Cultural Studies
Scaling Governmentality
The 'Social Life of Methods
Liberal Government and the Practical History of Anthropology
Spectral Epistemologies
Visualizing Surfaces, Surfacing Vision
The English Urban Renaissance
Pasts Beyond Memory
Actor network theory and after
"Comparative Studies in Society and History"
Cultural Economy
The Practice of Conceptual History
Hegemony and Socialist Strategy
The Meanings of Social LifeA Cultural Sociology
Reassembling the Social
Rule of Experts
Society Must Be Defended’
Foucault, Michel . Abnormal
On Postmodernism and Articulation
Defending Cultural Criticism
What is Cultural Criticism
The Rule of Freedom
We Have Never Been Modern
Painting Culture
The English Urban Renaissance
After ANT
The Invention of Art
Politics of Nature
Why Has Critique Run out of Steam? From Matters of Fact to Matters of Concern
Civic Laboratories
A Discourse on Discourse
Enacting the social
Do the social sciences create phenomena
The World as Exhibition
| Unique citing works | 38 |
|---|---|
| Citations per year | 2 |
| Citation span | 2007 - 2022 (16) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 34 |